hello friends,
i am starting a thread for kabeer bhajams sung by some of our legendary singers.
here is some information about sant kabeer from the net-
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Biography
Kabir was born in a weaver's family and later adopted by childless Muslim weavers named Niru and Nimma, who found him near Lahara Tara lake, adjacent to the holy city of Varanasi. [5]

A Bhakti saint,who sang the ideals of seeing all of humanity as one, his name, Kabir, is often interpreted as Guru's Grace.

A weaver by profession, Kabir ranks among the world's greatest poets. Back home in India, he is perhaps the most quoted author. The Holy Guru Granth Sahib contains over 500 verses by Kabir. The Sikh community in particular and others who follow the Holy Granth, hold Kabir in the same reverence as the other ten Gurus.

Kabir openly criticized all sects and gave a new direction to the Indian philosophy. This is due to his straight forward approach that has a universal appeal. It is for this reason that Kabir is held in high esteem all over the world. To call Kabir a universal Guru is not an over exaggeration.

Kabir is also considered one of the early northern India Sants. One source for modern adaptations of Kabir's poetry is Robert Bly's The Kabir Book: Forty-Four of the Ecstatic Poems of Kabir.


[edit] Origins
For more details on this topic, see Sant Mat.
Kabir is associated with the Sant Mat, a loosely related group of teachers (Sanskrit: Guru) that assumed prominence in the northern part of the Indian sub-continent from about the 13th century. Their teachings are distinguished theologically by inward loving devotion to a divine principle, and socially by an egalitarianism opposed to the qualitative distinctions of the Hindu caste hierarchy and to the religious differences between Hindu and Muslim.[6]

The Sants were not homogeneous, consisting mostly of these Sants' presentation of socio-religious attitudes based on bhakti (devotion) as described a thousand years earlier in the Bhagavad Gita.[7] Sharing as few conventions with each other as with the followers of the traditions they challenged, the Sants appear more as a diverse collection of spiritual personalities than a specific religious tradition, although they acknowledged a common spiritual root.[8]

The first generation of north Indian Sants, (which included Kabir), appeared in the region of Benares in the mid 15th century. Preceding them were two notable 13th and 14th century figures, Namdev and Ramananda. The latter, a Vaishnava ascetic, initiated Kabir, Raidas, and other Sants, according to tradition. Ramanand's story is told differently by his lineage of "Ramanandi" monks, by other Sants preceding him, and later by the Guru Nanak and subsequent Sikh Gurus. What is known is that Ramananda accepted students of all castes, a fact that was contested by the orthodox Hindus of that time, and that his students formed the first generation of Sants.[9]


[edit] Philosophies
The basic religious principles he espouses are simple. According to Kabir, all life is an interplay of two spiritual principles. One is the personal soul (Jivatma) and the other is God (Paramatma). It is Kabir's view that salvation is the process of bringing into union these two divine principles. The social and practical manifestation of Kabir's philosophy has rung through the ages. It represented a synthesis of Hindu, and Muslim concepts. From Hinduism he accepts the concept of reincarnation and the law of Karma. From Islam he takes the outer practices of Indian Sufi ascetics and Sufi mysticism. Not only has Kabir influenced Muslims and Hindus but he is one of the major inspirations behind Sikhism as well.[10]. Despite legend that claims Kabir met with Guru Nanak, their lifespans do not overlap in time.[11] The presence of much of his verse in Sikh scripture and the fact that Kabir was a predecessor of Nanak has led some western scholars to mistakenly describe him as a forerunner of Sikhism.[11]

His greatest work is the Bijak (that is, the Seedling), an idea of the fundamental one. This collection of poems demonstrates Kabir's own universal view of spirituality. His vocabulary is replete with ideas regarding Brahman and Hindu ideas of karma and reincarnation. His Hindi was a vernacular, straightforward kind, much like his philosophies. He often advocated leaving aside the Qur'an and Vedas and to simply follow Sahaja path, or the Simple/Natural Way to oneness in God. He believed in the Vedantic concept of atman, but unlike earlier orthodox Vedantins, he followed this philosophy to its logical end by spurning the Hindu societal caste system and worship of murti, showing clear belief in both bhakti and sufi ideas. The major part of Kabir's work as a Bhagat was collected by the fifth Sikh guru, Guru Arjan Dev, and forms a part of the holy Sikh scripture "Guru Granth Sahib".

While many ideas reign as to who his living influences were, the only Guru of whom he ever spoke was Satguru. Kabir never made a mention of any human guru in his life or verses, the only reference found in his verses is of God as Satguru. Traditionally a Vaishnav saint, Ramananda, is held to be his guru.


[edit] Poetry
"The poetry of mysticism might be defined on the one hand as a temperamental reaction to the vision of Reality: on the other, as a form of prophecy. As it is the special vocation of the mystical consciousness to mediate between two orders, going out in loving adoration towards God and coming home to tell the secrets of Eternity to other men; so the artistic self-expression of this consciousness has also a double character. It is love-poetry, but love-poetry which is often written with a missionary intention. Kabîr's songs are of this kind: out-births at once of rapture and of charity. Written in the popular Hindi, not in the literary tongue, they were deliberately addressed—like the vernacular poetry of Jacopone da Todì and Richard Rolle—to the people rather than to the professionally religious class; and all must be struck by the constant employment in them of imagery drawn from the common life, the universal experience. It is by the simplest metaphors, by constant appeals to needs, passions, relations which all men understand--the bridegroom and bride, the guru and disciple, the pilgrim, the farmer, the migrant bird--that he drives home his intense conviction of the reality of the soul's intercourse with the Transcendent. There are in his universe no fences between the "natural" and "supernatural" worlds; everything is a part of the creative Play of God, and therefore--even in its humblest details—capable of revealing the Player's mind." [12]

His poems resonate with praise for the true guru who reveals the divine through direct experience, and denounced more usual ways of attempting god-union such as chanting, austerities etc. His verses, which being illiterate he never expressed in writing and where spoken in vernacular Hindi, often began with some strongly worded insult to get the attention of passers-by. Kabir has enjoyed a revival of popularity over the past half century as arguably the most acceptable and understandable of the Indian sants, with an especial influence over spiritual traditions such as that of Sant Mat and Radha Soami. Prem Rawat ('Maharaji') also refers frequently to Kabir's songs and poems as the embodiment of deep wisdom.

O SERVANT, where dost thou seek Me?
Lo! I am beside thee.
I am neither in temple nor in mosque: I am neither in Kaaba nor in Kailash:
Neither am I in rites and ceremonies, nor in Yoga and renunciation.
If thou art a true seeker, thou shalt at once see Me: thou shalt meet Me in a moment of time.
Kabîr says, "O Sadhu! God is the breath of all breath."[13]

Are you looking for me? I am in the next seat.
My shoulder is against yours.
you will not find me in the stupas, not in Indian shrine
rooms, nor in synagogues, nor in cathedrals:
not in masses, nor kirtans, not in legs winding
around your own neck, nor in eating nothing but vegetables.
When you really look for me, you will see me instantly —
you will find me in the tiniest house of time.
Kabir says: Student, tell me, what is God? He is the breath inside the breath.[14]


[edit] Religious affinity
Kabir did not classify himself as Hindu or Muslim, Sufi or Bhakta. The legends surrounding his lifetime attest to his strong aversion to established religions. From his poems, expressed in homely metaphors and religious symbols drawn indifferently from Hindu and Mohammedan belief, it is impossible to say of their author that he was Brâhman or Sûfî, Vedântist or Vaishnavite. He is, as he says himself, "at once the child of Allah and of Râm."[12] In fact, Kabir always insisted on the concept of Koi bole Ram Ram Koi Khudai..., which means that someone may chant the Hindu name of God and someone may chant the Muslim name of God, but God is the one who made the whole world.

In Kabir's wide and rapturous vision of the universe he never loses touch with the common life. His feet are firmly planted upon earth; his lofty and passionate apprehensions are perpetually controlled by the activity of a sane and vigorous intellect, by the alert commonsense so often found in persons of real mystical genius. The constant insistence on simplicity and directness, the hatred of all abstractions and philosophizings, the ruthless criticism of external religion: these are amongst his most marked characteristics. God is the Root whence all manifestations, "material" and "spiritual," alike proceed; and God is the only need of man--"happiness shall be yours when you come to the Root." Hence to those who keep their eye on the "one thing needful," denominations, creeds, ceremonies, the conclusions of philosophy, the disciplines of asceticism, are matters of comparative indifference. They represent merely the different angles from which the soul may approach that simple union with Brahma which is its goal; and are useful only insofar as they contribute to this consummation. So thorough-going is Kabîr's eclecticism, that he seems by turns Vedântist and Vaishnavite, Pantheist and Transcendentalist, Brahmin and Sûfî. In the effort to tell the truth about that ineffable apprehension, so vast and yet so near, which controls his life, he seizes and twines together--as he might have woven together contrasting threads upon his loom--symbols and ideas drawn from the most violent and conflicting philosophies and faiths.[12]

His birth and death are surrounded by legends,as nothing certain is known about his birth or death.He grew up in a Muslim weaver family,but some say he was really son of a Brahmin widow who was adopted by a childless couple.When he died,his Hindu and Muslim followers started fighting about the last rites. In Maghar, his tomb or Dargah and Samadhi Mandir still stand side by side. [15]

Another legend surrounding Kabir is that shortly before death he bathed in both the river Ganges and Karmnasha to wash away both his good deeds and his sins.

One popular legend of his death, which is even taught in schools in India (although in more of a moral context than a historical one), says that after his death his Muslim and Hindu devotees were fighting over his proper burial rites. The problem arose, as Muslim customs called for the burial of their dead, whereas Hindus cremated their dead. The scene is depicted as two groups fighting around his coffin one claiming that Kabir was a Hindu, and the other claiming that Kabir was a Muslim. However when they finally open Kabir's coffin, they find the body is missing, in lieu of which is placed a small book in which the Hindus and Muslims wrote all his sayings that they could remember some even say a bunch of his favourite flowers were placed. The legend goes on to state that the fighting was resolved, and both groups looked upon the miracle as an act of divine intervention.

Kabir is revered as Satguru by the Kabirpanthi spiritual group, based in Maghar.

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list of bhajans uploaded-
1]-ghunghat ke pat khol re-geeta dutt[from jogan[1950]]-bulo c rani,
2]-ghunghat ke pat khol re-juthika roy,
3]-moko kahan dhoondhe bande-bhupinder-murli manohar swaroop,
4]-moko kahan dhoondhe bande-vani jairam-raghunath set,
5]-naiya padi majhdhar-mukesh-murli manohar swaroop,
6]-toone raat gawai soye ke-mukesh-murli manohar swaroop,
7]-ghat ghat mein panchi bolta-kishori amonkar-kishori amonkar

starting with geetaji's classic spiritual rendition from jogan[1950]-ghunghat ke pat khol re[192kbps/3.20].

also uploading the same bhajan in juthika roy's voice[192kbps/3.12]






regards,
mahesh

here is one of my favourite kabeer bhajan-

moko kahan dhoondhe bande-
1]-bhupinder version-murli manohar swaroop-192kbps/3.28,
2]-vani jairam version-raghunath seth-192kbps/6.10






regards,
mahesh

next-
two kabeer bhajans by mukesh-

1]-naiya padi majhdhar-murli manohar swaroop-192kbps/3,19,
2]-toone raat gawai soye ke-murli manohar swaroop-192kbps/3.01





regards,
mahesh

Hi Mahesh

What a wonderful thread.!!

I hope it grows and we get lots of Kabeer Bhajans.
I think I have Anup Jalota's version of 'moko kahan dhoondhe nande'.
I will u/l it if I can find the cd.
The two renderd by Mukesh are just sublime and I have heard them
countless time over the years. I very much hope there are more Kabeer-Mukesh bhajans.

hi rameshji,
thanks for the response.

please go ahead and ul anup jalota's version of ''moko kahan dhoondhe bande.
from kumar gandhava to shubha mudgal,from mukeshji to suresh wadker,almost all our legends have sung kabeer bhajans.even o p nayyar recorded kabir bhajans in his voice.


regards,
mahesh

here is a kabeer bhajan by kishori amonkar-ghat ghat mein panchi bolta[192kbps/14.10]






regards,
mahesh

Also check the following link :



http://www.hamaraforums.com/index.php?s=&a...st&p=442936

erumji,
thanks for the link and the song;please upload ''moko kahan dhoondhe bande'' from the serial.
sharang dev also composed music for shyam bengal's sushman which had lot of kabeer bhajans.desperately looking for the film.
regards,
mahesh

here is a kabeer bhajan by rafi sahab-tohi mori lagan lagayi re[192kbps/3.08].music was by shyam sharma




regards,
mahesh

a relatively rare kabeer bhajan by laxmi shankar-maati kahe kumbhar se.music was by murli manohar swaroop.the song is @192kbps/3.53.


regards,
mahesh

next-paani mein meen hai pyasi-by purushottam das jalota @192kbps/5.38






regards,
mahesh

next

next-two kabeer bhajans by kumar gandharva

next-
a kabeer bhajan by rafi sahab-ab aayi gawanwa ki saari-music was by shyam sharma.the song is @192kbps/3.24






regards,
mahesh

Some real gems here, particularly the one above. Vintage stuff!
Thanks to you all.

here is a kabeer bhajan by bhimsen joshi-yeh tanu mundana re mundana.music is by srinivas khale.the song is @192kbps/7.21





regards,
mahesh

another kabeer bhajan by bhimsen joshi @192kbps/11.23-kaya nahin teri nahin teri.











regards,
mahesh

another kabeer bhajan by bhimsen joshi-sun sun sadhoji @192kbps/8.18



regards,
mahesh

next-beet gaye din bhajan bina re-by bhimsen joshi-192kbps/7.12



regards,
mahesh

I always thought this bhajan was written by Meerabai.
Are you sure it is by Kabir ??

I think you're right, Urzungji! It should be Meerabai! Maheshji, please clarify!

urzung khan sahab and erumji,
the bhajan has been wrongly credited to meerabai in the film jogan.it is nowhere to be found in meerabai's padawali.it is a very well known bhajan from kabir's bijak.for the juthika roy version,hmv has correctly credited kabir.
there is a manna dey version also in the film mahatma kabeer[1954]-md-anil biswas.



regards,
mahesh

three more kabeer bhajans by bhimsen joshi-
1]-mat kar moh tu-6.27,
2]-sab paise ke bhai-5.26




regards,
mahesh

and-
3]-sangat santan ki karle-192kbps/8.03



regards,
mahesh

Mahesh,

I also had the impression that this was a Meerabai bhajan, perhaps based on 'Jogan' movie.

Here is a kabir bhajan by Anup Jalota that is one of my favorite.

Mati kahe kumbhar se. 13.9mb.
Anup Jalota
Kabir


Click to view attachment

rameshji,
thanks for anup jalota version of ''maati kahe kumbhar se''.
here is'' bhaj le bhaiya'' by m s subbulaxmi.[192kbps/6.21]



regards,
mahesh

reuploaded some of the bhajans.


regards,
mahesh

Hi Mahesh,

Please reupload some of the Bhajans.

1 Mati Kahe Kumbhar Se Anup Jalota version

2 Beet Gaye Din Bhajan Bina Bhimsen Joshi

3 Maine Lonho Govind Mol Anup Jalota If you have it.


Thanks

Ketaki

Ketaki ji, Here is some of the Kabir bhajans you requested.

Click to view attachment

Here is Maati kahe.... by Anup Jalota.

Click to view attachment

Rameshji,

Thank you so much for your quick responce.


Ketaki.

Welcome. It is my pleasure.

Humble Request for considering a re-upload of the below Bhajan's:

ishori amonkar-ghat ghat mein panchi bolta
Mohammed Rafi-tohi mori lagan lagayi re
laxmi shankar-maati kahe kumbhar se
paani mein meen hai pyasi-by purushottam das jalota
Kumar Gandharva-?
Mohammed Rafi-ab aayi gawanwa ki saari
bhimsen joshi-yeh tanu mundana re mundana
bhimsen joshi-kaya nahin teri nahin teri
bhimsen joshi-sun sun sadhoji
bhimsen joshi-mat kar moh tu
bhimsen joshi-sab paise ke bhai
bhimsen joshi-sangat santan ki karle

Thank You

I have the following fro your request:
Ab Aayee Gavanwa Ki Sari 3:24 Mohd Rafi Shyam Sharma 4.3 MB 160 kbps

Here is one more song from your list
Tohi Mori Lagan Lagaye Re 3:08 Mohd Rafi Shyam Sharma 4 MB 160 kbps

reuploaded some of the bhajans.

enjoy,
mahesh

Dear Maheshji,
Many Thanks for the re-uploads of these divine songs.
Best Regards,
Suresh