Hello Friends,
Please visit mohdrafi.com to see our tribute to the great indian legend, Mohd Rafi on his 25th Death Anniversary. I would like to thank Mr. Yunus for his contribution for this day.
http://www.mohdrafi.com/25deathann/index.html
The tribute is a 40 minute video presentation. Two modes available:
1. Stream: A real player sure stream. Realplayer can be downloaded from http://www.real.com
2. Download: A zip download of 121 MB. Video in optimized DiVX format. DiVX player can be downloaded from http://www.divx.com.
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The web version is optimized for streaming and download. If any one is interested in getting a VCD or a clear DVD of this tribute please contact me.
Here are the various articles thats hit the Internet this morning:
Rafi: A tribute to the legend
Source: Hindustan Times, Pankaj Vohra
It is not something which happens too often anywhere in the world when a singer who passed away 25 years ago continues to dominate nearly all radio programmes. It is exactly 25 years since Mohammad Rafi, arguably India's greatest and most versatile playback singer left for his heavenly abode, leaving behind thousands of songs which made him a legend in his life time and the rich legacy of his golden voice.
Composer Naushad under whose baton Rafi sang some of his most memorable numbers regards Rafi as one of the greatest singers of all times whose sincerity and dedication should serve as a lesson for all new comers.
Leaving a void
Rafi died on July 31, 1980 when he was 55 years old and left a void which no singer after him has been able to fill. A large number of his clones - Shabbir Kumar, Anwar, Jaspal Singh and several others - have tried to recreate his magic without any success.
After all Rafi was a perfect singer and a thorough gentleman whose versatility can be recognised from the fact that he even provided his voice to another greater singer of his times - Kishore Kumar in more than two films. Kishore Kumar had once written a letter in Filmfare proclaiming that he was also a Rafi fan. Rafi had sung "Man mora bawara" for him under O.P. Nayyar's baton in Ragini and "Ajab hai dastaan teri hai zindagi" composed by Shankar Jaikishen in Shararat.
It was a quirk of fate that Kishore Kumar displaced Rafi as a number one singer in the early seventies during the era when Rajesh Khanna became a phenomenon. But Rafi's fan following never went down and it is a testimony to his immense talent that even today, 25 years after his death when more than 45 per cent people were not even born, he is the most heard male voice in our Radio programmes.
Versatility was second nature
Such was Rafi's perfection that when Filmfare used to have a single award for the best singer, he won it more times than the legendary Lata Mangeshkar. Dev Anand, for whom Kishore Kumar gave the playback in many immortal songs, always regarded Rafi as a better ghazal singer and preferred Kishore for lighter songs. No wonder Rafi sang "Hum bekhudi se tum ko pukare chale gaye" in Kala Pani and "Tere mere sapne ab ek sangh hai" in Guide for the silver screen's first superstar.
There was hardly a hero or for that matter anyone in films for whom Rafi did not sing. Shammi Kapoor's yahoo image was as much due to Rafi as it was because of O.P.Nayyar and Shankar Jaikishen. Dilip Kumar's great performances were highlighted by Rafi's voice which became synonymous with the thespian. "O door ke musafir'' in Uran Khatola and "Madhuban mein radhika nache re'' in Kohinoor were among the best songs where Rafi provided the soul.
Rajendra Kumar's jubilee star image was inspired by the singer's "Teri pyari pyari soorat ko" in Sasural and "Yeh mera prem patra padh kar" in Sangam. While singing "Tel maalish Champi" for Johnny Walker in Pyaasa, Rafi made it hard to tell whether he was singing the song or was it the comedian's own voice.
Humble beginnings
Rafi was born in Kotla Sultan Singh (now in Pakistan) on December 24, 1924 and though his music talent was noticed by his friends and relatives, it was late K.L.Saigal who on a visit to Lahore heard him singing on the roadside and recognised his potential. However, Rafi got his first break in a Punjabi film Gul Baloch in the early forties but he was first noticed when he sang a duet with the legendary Noor Jahan in Jugnu under the baton of Feroze Nizami.
The song, "Yahan badla wafaa ka bewafaee ke siva kya hai'' became an instant hit and the young Rafi was flooded wth offers. When every other singer was modelling himself on Saigal, Rafi initially was inspired by a lesser known singer GM Durrani (many years later the two later sang a duet, "Hum ko Hanste dekh zamana jalta hai" for Hum Sabh Chor Hain) and later developed his own style.
Saigal, who was number one died in 1948, and Talat Mehmood replaced him. But Rafi was already making waves with "Yeh zindagi ke mele duniya mein kam na hoongein'', "mein zindagi mein hardam rota hi raha hoon'', "suhani raat dhal chuki''
and "suno suno ae duniya walon, bapu ki yeh amar kahani''. The story goes that Talat went for his Haj pilgrimage which used to take three months at that time and when he returned Rafi had become number one. There was no looking back and with Naushad's Baiju Bawra score, Rafi left everyone far behind. "Man tarpat hari darshan ko aaj'' and "duniya ke rakhwale'' became instant hits.
Melodious partners
Although Rafi paired with almost all top singers for memorable duets, his songs with Geeta Dutt especially under OP Nayyar's baton brought a whiff of fresh air and perfect chemistry between the two singers.
Rafi was also at ease with singing with Shamshad Begum and there was a time when his voice became an essential ingredient for any box office formula. Very few people know that in the early sixties when there was small tiff between Rafi and Lata, the entire film industry came to a stand still. Shankar Jaikishen, the top composers of that time used Mubarak Begum in Humrahi and also Suman Kalyanpur. Fortunately, the two made up shortly afterwards and gave Hindi film music some of the greatest hits.
Rafi was a simple god fearing man who loved to play badminton and had no bad habits. He was equally at ease while singing classical, light, ghazals, humourous and romantic numbers. He was on the verge of regaining his top spot when he died and his last big hit song "Kya hua tera wada" was a precursor for a lot of things which would have followed.
But it was not to be and as the Nation pays homage to this great singer, his evergreen song, "dekhi zamane ki yaari, bichade sabhi bari bari" sums up the saga of the golden voice of one and only Mohammad Rafi.
Some composers Rafi worked with:
Roshan "Zindagi bhar nahin bhoole gi yeh barsaat ki raat"
Madan Mohan "Sawan ke mahine mein, ek aag si"
N Dutta "Maine chand aur sitaron ki tammana ki thi"
Ravi "Chaudhvi ka chand ho"
Laxmikant Pyarelal "Chahoonga mein tujhe sanjh savere"
Hansraj Behl "Mohabbat zinda rahti hai"
RD Burman "Diwana mujh sa nahin is ambar ke niche"
SN Tripathi "Zara samnee to aa o chaliye"
Naushad "Bhoola nahin dena ji bhoola nahin dena"
Salil Chaudhury "Toote hue khawabo nein"
C Ramchandran "Yeh hasrat thi ke is duniya mein"
C Arjun "Paas baitho tabiyat behal jayegi"
Jaidev "Abhi na jao chhod ke"
Vasant Desai "Kehdo koi na kare yahan pyar"
Kalyanji Anandji "Yeh do diwane dil ke".
A voice never forgotten
Source: hindu.com, R. Krithika
Mohammed Rafi died 25 years ago but his voice continues to charm listeners of another generation.
Tum mujhe yun bhoola na paoge/jab kabhi bhi sunoge geet mere/sung sung tum bhi gun gunaoge.
(You will not be able to forget me/whenever you hear my song/you will sing along with me)
NOT one of Mohammed Rafi's best songs, but it perhaps best expresses his enduring appeal. An appeal that continues 25 years after the man died on July 31, 1980.
Growing up in the 1970s with only a radio for entertainment, it was hard not to miss Rafi's voice. As you begin to search the Rafi repertoire, it is hard not to be amazed by the singer's range.
Versatile
Just two films give one an idea of his versatility. Naushad's score for "Baiju Bawra" (1952) was strictly classical. The peppy Tu Ganga ki mauj was offset by the brooding Man tarpat. The breezily romantic Jhoole me pawan gave way to anguished O Duniya ke rakhwale.
Similarly in "Pyasa" (music by S.D. Burman), Rafi songs were all huge hits — from the comic Sar jo tera chakraye to that ode to a dysfunctional society Ye duniya agar mil bhi jaye; from love (Hum aap ki ankhon mein) to despair (Jinhe naaz hai hind par). As the mood changes from despair to anger in Ye duniya agar mil bhi jaye, the listener can't help but be moved by the pain and tears in the singer's voice.
It was S.D. Burman again who chose Rafi for the three crucial songs in "Guide" at a time when the Kishore Kumar wave was sweeping everyone off its path. Rafi got Tere mere sapne; Kya se kya ho gaya and Din dhal jaaye to Kishore's one Gata rahe mera dil.
Shammi Kapoor's image as the "Junglee"-"Jaanwar"-"Budtameez" of Hindi cinema owed its very existence to Rafi's voice. Even while "yahooing" across the silver screen, melody was never very far away — Hum aur tum aur ye sama ("Dil Dekhe deko"); Is rang badalti duniya mein ("Rajkumar").
Beginnings
Rafi was born in Kotla Sultansingh (now in Pakistan) and landed in Bombay via the Lahore film industry. After Partition, he stayed on in India convinced that his future was here. How right he was! In a few years his career had soared and he had sung for all the major heroes — and some not so major ones.
Whether it was Rajendra Kumar, Bharat Bhushan, Dilip Kumar, Dev Anand, Biswajeet to the latter day Jeetendra, Rajesh Khanna, and even Rishi Kapoor, all lip synced to Rafi's voice.
Rafi's love songs traversed the highs and lows of that fickle emotion — Suhani raat dhal chuki ("Dulari"); Akele hain chale ao ("Raaz"); Baharon phool barsao ("Suraj"); Ae husn zara jaag ("Mere Mehboob"); Jaag dil e deewana (Unche Log); Main yeh sochkar ("Haqeeqat").
Some were absolute godsends to roadside Romeos all over the country — Chupnewale samne aa ("Tumsa Nahin Dekha"); Deewane ka naam to poocho ("An Evening in Paris"); Badan pe sitare ("Prince"), Lal chadi maidan khadi ("Janwar").
It was Rafi who sang what is perhaps the least inoffensive of double entendres in Hindi film songs — Apni to har aah ek toofan hai ("Kala Bazaar"). Listen to the mischievous emphasis on "uparwala jaan kar anjaan hai" as a debonair Dev Anand serenaded Waheeda Rahman.
When he entered the field, singers like Talat Mehmood and Mukesh, though great in their own way, had been typecast. Along came Rafi who could sing at any pitch or mood that the composer wanted.
At the height of the Kishore wave, O.P. Nayyar is reputed to have said, "Just give me one song and I'll put an end to this nonsense they're saying about Rafi." Listen to Tumse kahoon ek baat ("Dastak") or the Tumhari zulf ke saye ("Naunihal"), Tum jo mil gaye ho ("Hanste Zakhm") to understand the composer's unshaken belief in the singer, though Madan Mohan tuned these songs. Rafi's various songs for Nayar include the flirtatious Sun sun sun zalima ("Aar Paar"); Taarif karoon kya uski ("Kashmir ki Kali"); Aeji dil par hua aisa jadoo ("Mr. And Mrs. 55"); Aap ke haseen rukh par ("Baharen phir bhi ayengi").
Many moods
Rafi's voice evokes myriad emotions in the listener — Dekhi zamaane ki yaari ("Kagaz ke Phool"); Na kisi ki aankh ka noor hoon ("Lal Qila"); Duniya na bhaye ("Basant Bahar") may leave you down in the dumps but Khoya khoya chand ("Kala Bazaar"); Jawaniyan ye ("Tumsa Nahin Dekha") can lift the depression.
Feeling patriotic? Then listen to Ab tumhare hawale watan ("Haqeeqat"); Aye watan ("Shaheed") or Jahan daal daal par ("Sikander-e-azam"). A philosophical mood pervades Man re tu kahe na ("Chitralekha").
While Rafi is well known for his film songs, his non-film songs too are equally melodious. The best known are probably Paanv padu tore shyaam and Gazab kiya tere waade, but others like Shaam ke deepak jale; Do ghadi baitho and Kya yaad tumhe hum aayenge are as captivating.
Rafi would have been a great singer at any point of time but he was fortunate to enter Hindi films when music reigned supreme, when films ran on the strength of their music, when great composers and lyricists were falling over each other to make music.
Sunehri Yadein pays tributes to Rafi
Source: The Peninsula
DOHA: A thrilling musical concert titled, Sunehri Yadein, was held at Indian Community Recreation Centre on Thursday to mark the death anniversary of the legendry Indian singer, Mohammad Rafi.
The event was organised by Punjab Musical Group and jointly sponsored by Oman Air and Doha Bank.

Mohammad Siddiq (right) presenting a duet with Aishwarya Murali during Sunehri Yadein at the ICRC on Thursday. PMG President Shahid Rasheed (left) is playing dholak (drum).
The highlight of the event was the scintillating performance by Rafi's Lahore-based younger brother, Mohammad Siddiq. PMG president, Shahid Rasheed, welcomed the guests and thanked sponsors for supporting the event.
Siddiq opened the concert with a brilliant rendition of hamd who sar kabhe and later presented all-time favourites of Rafi such as bari door se aiya hoon, pata pata boota boota, sau saal pahle, jo wada kiya and ae duniya ke rakhwale, much to the enjoyment of the audience.
Local artistes and singers who performed during the concert included Sirshar Khan, Mujeebur Rehman, Imtiaz Khan, Javed Bajwa, Jamshed Bajwa, Nizhan Abdullah, Aishwarya Murali, Prakash Dasand and Abdul Jabbar. Tabla was provided by PMG chief organiser, Nazakat Ali Khan.
