QUOTE(shaibaal @ Jul 24 2005, 04:07 PM)
I know I should not be posting anything on this subject - call this a moment of weakness and stupidity.
I also heard the album a couple of times last night - for an album named "Asha", all I feel is "Nirasha"!
If the only way to "save" the ghazal is to make it sound like it is not ("Awargi", "Dil mein ek lehar" have mechanical re-mix type dance floor beats!), I guess I cannot see the point. The orchestration takes away from the beauty of the compositions, the raga, the lyrics and Ashaji's rendition - which is what the ghazal is all about and if you really think about it, is what had attracted all of us to these great ghazals in the first place - not the orchestration.
I know I sound like a "purist" (a word that seems in this context to mean some regressive, outdated, weirdo), but "contemporary sounds" seem to mean only western. Are we saying that traditional sounds have no power to attract a younger generation? All those "taans", "murkis" and "bahlawaas" could have been taken to dizzying heights with a Zakir Hussain on the tabla, a Ram Narayan on the sarangi.....
The lustre and "maadakta" of Ashaji's voice is not really in evidence - none of the goosebumps that I still get from a "Yun saja chaand" or "Salona sa sajan hai"...
Before everyone decides to take me to the cleaners, take a few deep breaths - these are my two cents about this particular album only - I am no one to critique a living legend and one who in my humble opinion is more versatile than any other singer (male or female).
I guess Asha wanted her stamp or some difference in the album tho the tunes are the same. The problem in accepting the tunes comes when one compares them with already heard versions. Take them as new songs and they are lovely.
As far as youngsters are concerned there are very few who listen to older stuff and more traditional music. I find the paradox all the time when I tell someone that I listen to 'old songs' and they ask me--U mean 80s? 80s for me is half noise.

most of the youngsters one meets ar all too familiar with Western artists and modern musical terminology but haven't a clue about even our older film music--ghazals and geets door ki baat hai. Classical for most is like horror time or go to sleep time.

About Asha's voice--yun saja chand and salona sa sajan were done in the early 80s. 20 yrs back. While the 80s were th peak time as far as her voice was concerned, now I feel what U still see and appreciate is the trained singer Asha--she is still great with the most mind boggling notes.