Manobendra Mukherjee – The Versatile Legend Of Bengali Modern Song Options

[souvik_chatterji]

Manobendra Mukherjee – the versatile legend of Bengali modern song

By: Souvik Chatterji
Master of Law from Warwick University, Coventry,UK
Master of Law from Case Western Reserve University, Cleveland, Ohio, USA.

The 50s, 60s and 70s constitute the period of time when Bengali modern songs reached its peak of excellence and is called the Golden age of Bengali Adhunik Gaan. Bengal had a very unique collection of Basic discs which inspired composers and lyricists to create innumerable treasure of creative music during the age which were independent creations. Bengali modern songs were in fact more popular than film songs composed in the Bengali cinema which also reached it level of excellence in the 50s and 60s.

Manobendra Mukherjee, the most stylish Classical singer immerged in the golden age, when Bengali modern songs were also glorified by outstanding performance of Dhanonjoy Bhattacharya, Manna Dey, Satinath Mukherjee, Akhil Bandhu Ghosh to name a few. Being inspired by uncle Sidheshwar Mukherjee and Ratneswar Mukherjee, Manobendra shocked the listeners with his first basic disc in 1953, titled “Naichondon Lekha Sriradhar chokhe nai nai shemorai.” It was based on kirtanango andaz, and Manobendra was trained towards Kirtans, Bhajans and Bhaktigeeti from the very early childhood.

Bengali modern song was on the verge of modernisation at that age, when Manobendra came up with his romantic creation “Emni kore porbe mone baki jiban dhore.” The music was composed by Manobendra himself and the lyrics were written by Shyamal Gupta. At the same time Manobendra made a debue in the film arena being the music director for Uttamkumar’s film Chapadangar Bou, 1954, where the songs were written by Tara Shankar Banerjee. Manobendra brought in the flavour of Mahadev’s Gajon, that are sung in villages in Bengal with the song “shibo he shibo he”.

Within short period of time, Manobendra attracted the attention of the leading lyricists and music composers of Bengal , namely Salil Chowdhury, Sudhin Dasgupta, Robin Chatterji, Anol Chatterji, Nochiketa Ghosh, Probir Mojumdar, Gyan Prakash Ghosh, Abhijeet Banerjee, and others. His successful songs include “Ami Parini bijhite parini” composed by Salil Chowdhury, “Mayur Konthi Ratero nile” by Sudhin Dasgupta, “Jodi Amake Dekho Tumi Udashi,” by Abhijit Banerjee, “Ei neel neel jal sagore” by Probir Majumdar, “ birohini chirobirohini” by Himangshu Dutta, “O amar chandro mallika” by Nochiketa Ghosh, “Tomar Pother Prante Moner monideep jele rekhechi”, by Satinath Mukherjee.

In the late 50s, some of Manobendra’s own composition “ami eto je tomay bhalo besechi”, 1958, “Sei bhalo ei bosonto noy”, 1960, “Bhalo lagena tumi na ele” became everlasting hits. Even in Mohishashur Mordini, played in All India Radio, on Mohalaya, every year, Manobendra’s song “tobo achinto” created a Godly atmosphere accompanied by Birendra Bhodro’s Strotyopath.

In 1958, Robin Chatterji composed music for the film Lalu Bhulu, the story of a blind and a handicapped boy. The film stormed the Bengali silver screen, and Manobendra brought tears in the eyes of the audience with the songs “ Jar Hiya akasher nil nilimay”, “Dukho amar Shesh kore dao probhu,” “Surjo tomar Protom toron kholo”, “dukher pothe naali jodi”, “Ei pranjharona jaglo”. The immortal songs were written by Sailen Ray.

Manobendra had expertise in Toppa, thumri, Hindustani classical, bhajans, shyam sangeet, najrul geeti and other types of songs. It helped him to adorn Bengali modern songs with all these flavour. Besides the lyrics in his songs used to have a dynamic dimention, example “seto naam dhore konodin dakeni amay”, “barosha klanto o duti nayan niye”. He did sing pure classical numbers like “Kotoje soyechi betha, abhimanini”, composed by classical singer Chinmoy Lahiri, “Rimjhim baje monjiro kaar” composed by himself, “Bare Bare ke jeno dake”, composed by Sailen Mukherjee.

In the film Nilachole Mahaprobhu, 1958, composer Raichand Boral invited Manobendra to sing kirtans of Lord Chaitanya, the songs “jagannath jagat bandhu” and other songs have made the listeners spellbound. Monbendra also did sing Folk song titled Bhaitayali in Uttamkumar’s film Nabojanmo, 1958, where the noted song include “ore mon majhi”. Manobendra composed music in a number of Bengali films including Mayamrigo, 1960, Badhu, 1962, Jato Mat Tato Path, Joy Jayanti, 1970, Godhuli Belay, 1965, Sudur niharika, 1978, etc.

In the 1970s, also Manobendra had sung notable songs like “Ei Ganga ei Padda’, 1970, “Halka megher palki”, “Hajar jonom dhore”, “ei moushumi mon shudhu rong bodlai”, etc. In the 1980s Manobendra concentrated on Nazrul geeti and Bag bajarer gaan and there also he emerged as one of the greatest singer of all times. Due to Manobendra classical composers showed the courage of composing pure classical numbers in Bengali films like “Rajoni pohale sojoni kothay” by Anil Bagchi in the film Shashibabur Sangsar, 1960, “adhare” by Gyan Prokash Ghosh in the film Basant Bahar, 1958.

It is even difficult to ascertain whether Manobendra was a greater singer or greater music composer as there is hardly Bengali singer who did not sing a song composed by Manobendra, example being “mon bolche aaj sondhay” by Alpona Banerjee, “Gane gane ami je khuji tomay” by Supriti Ghosh, “sonali megher din” by Sandhya Mukherjee, “oi son son geroraj” by Hemanta Mukherjee, “Kemone janabo bolo e pranero bedona” by Shefali Chakraborty, etc.
It is a pity that Manobendra Mukherjee did not go to Bombay like many other Bengali singers and exhibited his versatile class of creativity in the All India arena where musical talents of other giants were exhibited. Manobendra’s immortal creations should be preserved in an archive for new generations to learn lessons relating to Hindustani classical music, innovations in terms of rhythm, taal, loy and grammer of kajri, tappa, nazrulgeeti, kirtans, bhajans, folk music and westernised creations.

[Binod]

Thanks for the excellent intro to Manobendra Mukherjee. What about some audio examples to those who do not know him from the non Bengali audience? In Toronto I have searched for his songs for many years but found none.

Binod.

[shaibaal]

Thanks for the excellent intro to Manobendra Mukherjee. What about some audio examples to those who do not know him from the non Bengali audience? In Toronto I have searched for his songs for many years but found none.

Binod.

Binodji,

I uploaded a number of songs by Manobendra Mukherjee in the thread on Nazrul Geeti that you may want to download as they are still there.

Souvik, thank you for an excellent article. I am pleased to attach a personal favorite.
Singer - Manabendra Mukherjee
Other details - mp3, 128 kbps, 3:10
"Aami eto je tomaaye bhalobeshechhi"
(got it from the net - credit to original uploader)

[Binod]

Thanks for the excellent intro to Manobendra Mukherjee. What about some audio examples to those who do not know him from the non Bengali audience? In Toronto I have searched for his songs for many years but found none.

Binod.

Binodji,

I uploaded a number of songs by Manobendra Mukherjee in the thread on Nazrul Geeti that you may want to download as they are still there.

Souvik, thank you for an excellent article. I am pleased to attach a personal favorite.
Singer - Manabendra Mukherjee
Other details - mp3, 128 kbps, 3:10
"Aami eto je tomaaye bhalobeshechhi"
(got it from the net - credit to original uploader)

Thank you very much for your MM uploads.

Binod.

[souvik_chatterji]

With respect to the request of Binodji, I want to mention that Manobendra's CDs exist in the website

LINK REMOVED. NO PROMOTIONS ALLOWED FOR SITES THAT INVOLVES SALES.

There is a compact disc titled halka megher palki.
Actually his everlasting hits are there in basic discs, some of them have been reprinted by HMV into cassettes and CDS, but rest are not reprinted. Those who have record players in their house they can access immortal creations of the legend.Thanking you,
Souvik Chatterji.

Thanks for the excellent intro to Manobendra Mukherjee. What about some audio examples to those who do not know him from the non Bengali audience? In Toronto I have searched for his songs for many years but found none.

Binod.

Binodji,

I uploaded a number of songs by Manobendra Mukherjee in the thread on Nazrul Geeti that you may want to download as they are still there.

Souvik, thank you for an excellent article. I am pleased to attach a personal favorite.
Singer - Manabendra Mukherjee
Other details - mp3, 128 kbps, 3:10
"Aami eto je tomaaye bhalobeshechhi"
(got it from the net - credit to original uploader)

This post has been edited by cYb0rG: Sep 22 2007, 07:37 AM

[sundor]

thank
you
for
this
nice
good
post

[prithvi_dg]

Mr Souvik,

Thanks for the writeup on MM.

Would you know what song was on the flip side of the 78 disc that had ManabendraM's first song 'nai chandan lekha' that you mention?

-Prithviraj

Manobendra Mukherjee – the versatile legend of Bengali modern song

By: Souvik Chatterji
Master of Law from Warwick University, Coventry,UK
Master of Law from Case Western Reserve University, Cleveland, Ohio, USA.

The 50s, 60s and 70s constitute the period of time when Bengali modern songs reached its peak of excellence and is called the Golden age of Bengali Adhunik Gaan. Bengal had a very unique collection of Basic discs which inspired composers and lyricists to create innumerable treasure of creative music during the age which were independent creations. Bengali modern songs were in fact more popular than film songs composed in the Bengali cinema which also reached it level of excellence in the 50s and 60s.

Manobendra Mukherjee, the most stylish Classical singer immerged in the golden age, when Bengali modern songs were also glorified by outstanding performance of Dhanonjoy Bhattacharya, Manna Dey, Satinath Mukherjee, Akhil Bandhu Ghosh to name a few. Being inspired by uncle Sidheshwar Mukherjee and Ratneswar Mukherjee, Manobendra shocked the listeners with his first basic disc in 1953, titled “Naichondon Lekha Sriradhar chokhe nai nai shemorai.” It was based on kirtanango andaz, and Manobendra was trained towards Kirtans, Bhajans and Bhaktigeeti from the very early childhood.

Bengali modern song was on the verge of modernisation at that age, when Manobendra came up with his romantic creation “Emni kore porbe mone baki jiban dhore.” The music was composed by Manobendra himself and the lyrics were written by Shyamal Gupta. At the same time Manobendra made a debue in the film arena being the music director for Uttamkumar’s film Chapadangar Bou, 1954, where the songs were written by Tara Shankar Banerjee. Manobendra brought in the flavour of Mahadev’s Gajon, that are sung in villages in Bengal with the song “shibo he shibo he”.

Within short period of time, Manobendra attracted the attention of the leading lyricists and music composers of Bengal , namely Salil Chowdhury, Sudhin Dasgupta, Robin Chatterji, Anol Chatterji, Nochiketa Ghosh, Probir Mojumdar, Gyan Prakash Ghosh, Abhijeet Banerjee, and others. His successful songs include “Ami Parini bijhite parini” composed by Salil Chowdhury, “Mayur Konthi Ratero nile” by Sudhin Dasgupta, “Jodi Amake Dekho Tumi Udashi,” by Abhijit Banerjee, “Ei neel neel jal sagore” by Probir Majumdar, “ birohini chirobirohini” by Himangshu Dutta, “O amar chandro mallika” by Nochiketa Ghosh, “Tomar Pother Prante Moner monideep jele rekhechi”, by Satinath Mukherjee.

In the late 50s, some of Manobendra’s own composition “ami eto je tomay bhalo besechi”, 1958, “Sei bhalo ei bosonto noy”, 1960, “Bhalo lagena tumi na ele” became everlasting hits. Even in Mohishashur Mordini, played in All India Radio, on Mohalaya, every year, Manobendra’s song “tobo achinto” created a Godly atmosphere accompanied by Birendra Bhodro’s Strotyopath.

In 1958, Robin Chatterji composed music for the film Lalu Bhulu, the story of a blind and a handicapped boy. The film stormed the Bengali silver screen, and Manobendra brought tears in the eyes of the audience with the songs “ Jar Hiya akasher nil nilimay”, “Dukho amar Shesh kore dao probhu,” “Surjo tomar Protom toron kholo”, “dukher pothe naali jodi”, “Ei pranjharona jaglo”. The immortal songs were written by Sailen Ray.

Manobendra had expertise in Toppa, thumri, Hindustani classical, bhajans, shyam sangeet, najrul geeti and other types of songs. It helped him to adorn Bengali modern songs with all these flavour. Besides the lyrics in his songs used to have a dynamic dimention, example “seto naam dhore konodin dakeni amay”, “barosha klanto o duti nayan niye”. He did sing pure classical numbers like “Kotoje soyechi betha, abhimanini”, composed by classical singer Chinmoy Lahiri, “Rimjhim baje monjiro kaar” composed by himself, “Bare Bare ke jeno dake”, composed by Sailen Mukherjee.

In the film Nilachole Mahaprobhu, 1958, composer Raichand Boral invited Manobendra to sing kirtans of Lord Chaitanya, the songs “jagannath jagat bandhu” and other songs have made the listeners spellbound. Monbendra also did sing Folk song titled Bhaitayali in Uttamkumar’s film Nabojanmo, 1958, where the noted song include “ore mon majhi”. Manobendra composed music in a number of Bengali films including Mayamrigo, 1960, Badhu, 1962, Jato Mat Tato Path, Joy Jayanti, 1970, Godhuli Belay, 1965, Sudur niharika, 1978, etc.

In the 1970s, also Manobendra had sung notable songs like “Ei Ganga ei Padda’, 1970, “Halka megher palki”, “Hajar jonom dhore”, “ei moushumi mon shudhu rong bodlai”, etc. In the 1980s Manobendra concentrated on Nazrul geeti and Bag bajarer gaan and there also he emerged as one of the greatest singer of all times. Due to Manobendra classical composers showed the courage of composing pure classical numbers in Bengali films like “Rajoni pohale sojoni kothay” by Anil Bagchi in the film Shashibabur Sangsar, 1960, “adhare” by Gyan Prokash Ghosh in the film Basant Bahar, 1958.

It is even difficult to ascertain whether Manobendra was a greater singer or greater music composer as there is hardly Bengali singer who did not sing a song composed by Manobendra, example being “mon bolche aaj sondhay” by Alpona Banerjee, “Gane gane ami je khuji tomay” by Supriti Ghosh, “sonali megher din” by Sandhya Mukherjee, “oi son son geroraj” by Hemanta Mukherjee, “Kemone janabo bolo e pranero bedona” by Shefali Chakraborty, etc.
It is a pity that Manobendra Mukherjee did not go to Bombay like many other Bengali singers and exhibited his versatile class of creativity in the All India arena where musical talents of other giants were exhibited. Manobendra’s immortal creations should be preserved in an archive for new generations to learn lessons relating to Hindustani classical music, innovations in terms of rhythm, taal, loy and grammer of kajri, tappa, nazrulgeeti, kirtans, bhajans, folk music and westernised creations.

[souvik_chatterji]

In reply to the question asked by Mr. Prithviraj related to the song in other side of the basic disc of Manobendra Mukherjee's "Naichondon Lekha", I have a disc which had four songs in a row and it is not the 1953 version. But according to sources, either it can have the song"Ghumayona Saheligo" composed by Sudhirlal Chakraborty, or "Je premer khela" composed by Manobendra Mukherjee himself. The other person who can be contacted in Kolkata in Biman Mukherjee how has a lot mof information relating to Manobendra Mukherjee. The music of Ghumayona Saheligo has similarity with Manobendra's later song "Modhumalotir bone legeche dol" which was a modern version with more alaap.
Souvik Chatterij.

[souvik_chatterji]

Manobendra Mukherjee's songs in Bagbajarer gaan include the creations of late eighteenth century written by Bhola Moira, Khirod Prasad, etc, titled "bagbajarer sidheswarir annopurnar ghat","bandhona torikhani", "jaigo oi bajae bashi pran kemon kore","kidiye pujibo bolo ki ache amar", etc. He portrayed the style of singing that used to be exhibited 100 years back at the shore of Ganges in kolkata. The songs show the other dimension of Manobendra Mukherjee.
Souvik Chatterji.

[Binod]

Mr Souvik,

Thanks for the writeup on MM.

Would you know what song was on the flip side of the 78 disc that had ManabendraM's first song 'nai chandan lekha' that you mention?

-Prithviraj

Welcome to this Forum. Are you by any chance the Hemant fan Dr. Prithviraj Dasgupta, Associate Professor at the University of Nebraska, Omaha, whom I used to know at RMIM when I was active there?

Binod.

[souvik_chatterji]

Similar articles are available in http://stationhollywood.blogspot.com
in the name of Souvik-indrajalik.

Manobendra mukherjee did not get the recognition he deserved which happened to a number of classical singers during the golden age.
Souvik Chatterji.

[souvik_chatterji]

Manna Dey in a TV interview in DD Bangla said that he found the tunes of the film Sudur Niharika very difficut to pick up. Manobendra Mukherjee composed the songs of the film. He had sung a number of classical songs himself in the film and also asked Manna Dey to sing most of them. Manna Dey is considered to be one of the greatest singers of the country who had unparallel classical control. If he had given a compliment to Manobendra Mukherjee to that extent then the critics feel that the all India audience had missed the brilliance of Manobendra Mukherjee for not venturing into bollywood films during the 50s and 60s.

Souvik Chatterji.

Similar articles are available in http://stationhollywood.blogspot.com
in the name of Souvik-indrajalik.

Manobendra mukherjee did not get the recognition he deserved which happened to a number of classical singers during the golden age.
Souvik Chatterji.