Ek Fankaar, any artist's life, filmography, Suraiya Jamaal Sheikh, S D Burman, Options

[rashmi mehta]

page no : 1
SURAIYAJI
S. D. BURMAN
MADHUBALA
SARASWATI RANE
NUSRAT FATEH ALI KHAN
SHAUKAT DEHELAVI NAASHAD
DEVIKA RANI CHAUDHURY
SUDHA MALHOTRA
RAJKUMARI DUBEY
JATIN LALIT
BULO C RANI

page no : 2

SHARMILA TAGORE
INDEEVAR
SHAKTI SAMANTA
M E E N A K U M A R I
S A N J E E V K U M A R
SRI DEVI
GEETA BALI
MAJRU SULTANPURI
KAIFI AZMI
RAJA MEHDI ALI KHAN

page no : 3

RAJENDRA KRISHAN
TANUJA SAMARTH
MALA SINHA
AAMIR KHAN
KATRINA KAIF



suraiyaji


Born Suraiya Jamaal Sheikh
June 15, 1929 (1929-06-15) (age 79)
Gujranwala, Punjab, now Pakistan
Died January 31, 2004 (aged 75)

Suraiya Jamaal Sheikh (June 15, 1929 - January 31, 2004) was a singer and actress in Indian films, and was popularly known as Suraiya in the film industry. She became a superstar in the 1940s and 50s during the time when actors sang their own songs. IF SHANTA APTE brought spontaneity and refreshing directness in her singing and song-delivery style, Suraiya marked a completely dif­ferent but equally important breakaway from tradition. Born Suraiya Jamal Sheikh in Lahore, she introduced the typical 'adakari' of North Indian Muslims into Hindi films. Expertly combining gestures, music, speech and eloquent eyes, she paved the way for later hearthrobs like Rekha and Madhuri Dixit with her bewitching song delivery. Alhough Noorjehan and Khurshid also brought the same Muslim adakari onscreen with their films, it was Suraiya who shone out as the epitome of that style. Save for her arresting, almond-shaped eyes, Suraiya was not a classic beauty; nor did she trained in classical music. Suraiya , the lovely melody queen created aura with her popular numbers like 'tu mera chaand, main teri chandani' ,'dil-e-nadan, tujhe hua kya hai' and 'woh paas rahe ya door rahe' . Her sultry looks and al­luring eyes matched her melodious voice and distinc­tive style to make her one of the greatest feminine icons of her time, attracting a gen­eration of young women who sought to emulate her and young men who mooned for her.

Early life

Suraiya was born in Gujranwala, Punjab now in Pakistan and was the only child of her parents. She was a dark plain looking girl and was not trained in music, however she went on to become a successful actress and singer.

She had been educated in New Girls' High School in Bombay. Simultaneously she was given religious teachings in Persian at home.

Career

Like many leading ladies of the past, Suraiya's entry into the world of movies was more accidental, than otherwise

Suraiya made her debut as a child artist in Usne Kya Socha (1937). Her films as a child artist ran between 1937 and 1941. She got a break in films with the help of her uncle Zahoor, who was a popular villain of his time. In 1941 during a holiday from school, she accompanied her uncle to Mohan Studios to see the shooting of the film Taj Mahal (1941), a film by Nanubhai Vakil. Vakil noticed the 12-year old girl and chose her to play the role of a young Mumtaz Mahal as they had nobody else to play the role. During her school days she used to participate in "Children Program" on Radio along with Shammi and Rajkapoor. She could sing some popular songs of that time with melody and fidelity . Naushad had heard her voice on the All India Radio where she sang for a children's programme at the insistence of friend Raj Kapoor and neighbour Madan Mohan. From radio, Suraiya moved on to playback singing -- App.reciating her singing talent, a song "Boot karun mein polish" was recorded in her voice by Naushad Sahib in 1942 for the film "Nai-Dunia". In the same year she performed a role in film "Station Master" Other films of her playback singing with music by Naushad Sahib were "Sharda" (Punchi Ja- pechey raha hae bachpan mera), "Qanoon" and "Sanjog"Her singing career soon found a mentor in music maestro Naushad chose her to sing as a 13 year old for Mehtaab in Kardar's Sharda (1942). Suraiya had to stand on a stool to reach the mike to croon Panchi ja, picturised on the much-older heroine, Mehtaab.
She was effectively launched as a singing star in Bombay Talkies Humaari Baat (1943).

She initially started by playing secondary roles in films like K. Asif's Phool (1944) but She made her presence felt in perhaps India's first multi-starrer, played strong supporting second lead roles to Noorjehan in Mehboob Khan's Anmol Ghadi (1946) and Munawar Sultana in Dard (1947). Suraiya had her moments with Socha Tha Kya, Main Dil Mein Dard Basa La Aayee and Man Leta Hai. She got the break as a heroine for the movie Tadbir (1945) at the recommendation of K. L. Saigal who liked her voice during a rehearsal. She went on to co-star with Saigal for two more films Omar Khayyam (1946) and Parwana (1947). More opportunities appeared for Suraiya after reigning actresses Noor Jehan and Khursheed Bano migrated to Pakistan during the 1947 partition. the last remembered for her haunting rendition of Jab Tumhi Nahin Apne.Her pairing with the then superstar Dev Anand was a huge hit and the two went on to star in many successful movies together - Afsar, Shayar and Jeet etal.

Nadira, who later costarred with Suraiya in Waris, says, "My father went repeatedly to the theatre to watch Suraiya sing Socha tha kya. He would walk out the moment the song ended."

Suraiya had an edge over her contemporaries Kamini Kaushal and Nargis because she could sing her own songs. The years 1948-49 were the best of her career - The 1948-49 phase saw her rise to her peak. After three hits Pyar Ki Jeet (1948), Badi Bahen and Dillagi (1949), she became the highest paid female star. At her peak, Suraiya generated hysteria comparable only to Rajesh Khanna in the late 1960s and early 1970s. Shop owners would down their shutters to see her starrers on the first day itself, crowds would throng outside her residence at Marine Drive in Bombay just to get a glimpse of her and actor Dharmendra recalls going to see Dillagi 40 times! Her songs from the above films Tere Nainon Ne Chori Kiya, O Door Jaanewaale (Pyar ki Jeet), Woh Paas Rahe Ya Door Rahe, O Likhnewaale Ne, Bigdi Bananewaale (Badi Bahen) and Tu Mera Chand, Murliwaale Murli Bajaa (Dillagi) were hummed in every nook and corner of the country. Her reign at the top was brief and her films started flopping in the 1950s. She made a comeback with Waaris and Mirza Ghalib (1954) in which she played the role of the married Ghalib's lover.She made a short-lived comeback with Waaris (1954) and Mirza Ghalib (1954). The latter saw her finest dramatic performance as she made alive and vivid the role of the married Ghalib's lover, a courtesan. Ghalib also saw some of her finest singing - Aah ko Chaihiye Ek Umar, Nuktacheen Hai Gham-e-Dil, Dil-e-Nadaan Tujhe Hua Kya Hai, Yeh Na Thi Humari Kismet etc. Her singing is till date regarded as the definitive Ghalib. In fact India's then Prime Minister Jawaharlal Nehru paid her the ultimate compliment by telling her " Tumne Mirza Ghalib ki Rooh ko Zinda Kar Diya" (she had brought Mirza Ghalib to life). In Nitin Bose's Waris (1954), Suraiya costarred with singing star Talat Mehmood (incidentally, she played heroine opposite another singer who tried to be an actor, Mukesh, in 1953's Mashuqa, too). With the sonorous melody, Rahi matwale, Anil Biswas and Suraiya proved their continuing relevance in a new age. Her last film was Rustom Sohrab (1963) following which she kept away from films. A spate of indifferent films followed. Suraiya had grew bulkier but her songs were still exquisite --- Aap se pyar hua jaata hai in Shama (1961), or the serene duet with Talat, Man dheere dheere gaye re in Maalik (1958). In 1963, to the strains of Yeh kaisi ajab dastaan ho gayee hai, the Sajjad jewel from Rustom Sohrab, Suraiya bade farewell to the studios. Suraiya Jamaal Sheikh's legend has endured for over four decades after her retirement post Rustom Sohrab (1963). It is fuelled by her one-time Dev Anand association, her repertoire of lilting songs and an air of mystique.

She stayed at "Krishna Mahal", her Marine Drive residence in Mumbai til her death. The walls and mirrors of Krishna Mahal flat on Marine Drive, are the only objects that set their eyes on this star of yesteryears. But she broke her self-imposed exile when she made a rare appearance at the Screen Videocon awards when Sunil Dutt presented her the Lifetime Achievement award. Radiant in a white salwar kameez she carried herself with the grace of a much younger woman.

The gentle sway of her hips spoke of her delicate style of dancing. The only thing that had remained completely unchanged was her voice. Tremulous with emotion, Suraiya's voice was choked with emotion when she took her award. She spoke of her long association with the film world and she was deeply touched that audiences still remembered her. But when Javed Jaffery pressed her to sing or just hum -- she refused. As a star shestill remembers the meaning of letting a legend live. Heroines are captured forever on the silver screen and the public's memory must never be updated.

Personal life

But her luck did not hold out in her personal life and Suraiya faced her biggestdisappointment. She first met Dev Anand in 1948, when she was just 19 years old. They were co-starring in the film Vidya and on the second day itself cupid struck. During the shooting of a song, a boat capsized and Dev Anand saved Suraiya from drowning. . And when he saved her from drowning during the filming of the song `Kinare Kinare Chale Jayenge', Suraiya was convinced that she had met her cosmic mate. She fell in love with him. Suraiya was romantically involved with actor Dev Anand and the two of them did six films together between 1948 and 1951. but her grandmother opposed the relationship. They were romantically linked and were all set to marry when her strict grandmother put her foot down and broke their relationship. She banned meeting, telephone calls and even talking on the sets. The entire affair was conducted in a clandestine manner with friends like Durga Khote and Kamini Kaushal going out of their way to engineer secret rendezvous. On the sets of the film Jeet, Dev Anand finally proposed to Suraiya and gave her a diamond ring worth Rs 3,000 -- a princely sum for a fledgling star. But even that memento was snatched away from her when her grandmother saw the ring and threw it away into the sea. She also burnt all of Dev Anand's letters in front of Suraiya's eyes. Her objection to the romance: (Dev Anand is a Hindu while Suraiya is a Muslim). A hunt for a Muslim husband began but marriagewas not in Suraiya's fate. In 1951, Dev Anand married Kalpana Kartik -- ending one of the silver screen's greatest romances. The heartbroken Suraiya never married though many leading men of her time were interested in her.Surraiya's idol was Gregory Peck and he visited her by surprise during a night of 1954 while in transit at Mumbai on his way to Srilanka for shooting. He was much impressed by her simplicity.Dev Anand molded himself in postures of Gregory Peck but after long awaiting he married Kaplna Kartak.Suraiya remained unmarried all her life.

Dev Anand accepts his love for Suraiya

the unmarried Suraiya lives alone in her plush Marine Drive apartment. Rarely does one see a bejewelled Suraiya at a party. Even after her strict grandmother, who kept suitors at bay and producers at arm's length, passed away, Suraiya continued to be inaccessible to the hoi polloi.

Her decision to reside in an ivory tower has added to her mystique, while her resolve to shun character roles ensured that she is always remembered as a heroine. Most quaintly, Suraiya also chose not to sing any new film song in the last 40 years.

Death

She died in 2004 of old age at 75. In 2004, during the Sansui Awards, actress Jaya Bhaduri received the Lifetime Achievement Award and while she was on stage, she was disappointed that no one gave a tribute to the legendary actress Suraiya who had passed right around that time.

Suraiya's dastaan, ajeeb but fascinating, continues to thrive on lore, speculation and memories.


http://en.wikipedia.org/wiki/Suraiya

http://www.chakpak.com/celebrity/suraiya/biography/8847

http://www.bollymood.com/biography/suraiya/

http://www.indianmelody.com/suraiyaarticle1.htm


Filmography

Actress:

* 1960s
* 1950s
* 1940s

1. Rustom Sohrab (1963) .... Shehzadi Tehmina
2. Shama (1961) .... Roshan Ara

3. Malik (1958)
4. Trolley Driver (1958)
5. Mr. Lambu (1956)
6. Inaam (1955)
7. Bilwamangal (1954)
8. Mirza Ghalib (1954) .... Chaudvin
9. Shama Parwana (1954) .... Sahebzadi Aalam
10. Waris (1954) .... Shobha ... aka Heir
11. Mashooka (1953)
12. Deewana (1952)
13. Goonj (1952)
14. Khubsurat (1952) ... aka Khubsoorat (India: Hindi title: alternative transliteration)
15. Lal Kunwar (1952)
16. Moti Mahal (1952)
17. Do Sitare (1951)
18. Rajput (1951)
19. Sanam (1951)
20. Afsar (1950) .... Bimala ... aka Officer
21. Badi Bahen (1950) ... aka Elder Sister
22. Dastan (1950) .... Indira
23. Kamal Ke Phool (1950)
24. Khiladi (1950)
25. Nili (1950)
26. Shaan (1950)
27. Jeet (1949) .... Jeet
28. Amar Kahani (1949)
29. Badi Bahen (1949)
30. Balam (1949)
31. Bombay (1949)
32. Char Din (1949)
33. Dillagi (1949) .... Heer ... aka Mischief (International: English title)
34. Duniya (1949)
35. Lekh (1949)
36. Naach (1949)
37. Shair (1949) .... Rani
38. Shayar (1949)
39. Singaar (1949)
40. Aaj Ki Raat (1948)
41. Gajre (1948)
42. Kajal (1948) ... aka Eyes (International: English title)
43. Pyaar Ki Jeet (1948)
44. Rang Mahal (1948)
45. Shakti (1948)
46. Vidya (1948) .... Vidya
47. Bhatakti Maina (1947)
48. Dak Bangla (1947)
49. Dard (1947)
50. Do Dil (1947)
51. Do Naina (1947)
52. Naatak (1947)
53. Parwana (1947) .... Gopi
54. 1857 (1946) ... aka Eighteen Fifty-Seven
55. Anmol Ghadi (1946) .... Basanti ... aka Precious Time
56. Chehra (1946)
57. Jag Biti (1946)
58. Main Kya Karun (1945)
59. Phool (1945)... aka The Flower
60. Tadbir (1945) .... Saguna
61. Hamari Baat (1943)
62. Ishara (1943)
63. Station Master (1942) .... Usha
64. Tamanna (1942)
65. Taj Mahal (1941) .... Child Mumtaz

Music Department:

* 1960s
* 1950s
* 1940s

1. Do Dil (1965) (playback singer)
2. Rustom Sohrab (1963) (playback singer)
3. Shama (1961) (playback singer)
4. Malik (1958) (playback singer)
5. Taqdeer (1958) (playback singer)
6. Trolley Driver (1958) (playback singer)
7. Mr. Lambu (1956) (playback singer)
8. Bilwamangal (1954) (playback singer)
9. Mirza Ghalib (1954) (playback singer)
10. Waris (1954) (playback singer)
... aka Heir
11. Mashooka (1953) (playback singer)
12. Deewana (1952) (playback singer)
13. Goonj (1952) (playback singer)
14. Khubsurat (1952) (playback singer)... aka Khubsoorat (India: Hindi title: alternative transliteration)
15. Lal Kunwar (1952) (playback singer)
16. Moti Mahal (1952) (playback singer)
17. Rajput (1951) (playback singer)
18. Sanam (1951) (playback singer)
19. Afsar (1950) (playback singer)... aka Officer
20. Badi Bahen (1950) (playback singer)... aka Elder Sister
21. Dastan (1950) (playback singer)
22. Kamal Ke Phool (1950) (playback singer)
23. Nili (1950) (playback singer)
24. Shaan (1950) (playback singer)
25. Jeet (1949) (playback singer)
26. Amar Kahani (1949) (playback singer)
27. Badi Bahen (1949) (playback singer)
28. Dillagi (1949) (playback singer)... aka Mischief (International: English title)
29. Duniya (1949) (playback singer)
30. Lekh (1949) (playback singer)
31. Naach (1949) (playback singer)
32. Shair (1949) (playback singer)
33. Singaar (1949) (playback singer)
34. Gajre (1948) (playback singer)
35. Rang Mahal (1948) (playback singer)
36. Shakti (1948) (playback singer)
37. Vidya (1948) (playback singer)
38. Dak Bangla (1947) (playback singer)
39. Dard (1947) (playback singer)
40. Do Dil (1947) (playback singer)
41. Naatak (1947) (playback singer)
42. Anmol Ghadi (1946) (playback singer)
... aka Precious Time
43. Jag Biti (1946) (playback singer)
44. Tadbir (1945) (playback singer)
45. Kanoon (1943) (playback singer)
... aka The Law (International: English title)
46. Sharda (1942) (playback singer)

Soundtrack:

1. Malik (1958) (performer: "Man Dhire Dhire Gaye Re Malum Nahin Kyon")
2. Mirza Ghalib (1954) (performer: "Dil-e-nadan Tujhe", "Aah Ko Chahiye Ek Umar",

"Nukta Cheen Hai", "Jahan Koi Na Ho", "Yeh Na Thi Hamari Qismat")

Producer:

1. Shagoon (1964) (producer) (as Suraiya Mubin)

Thanks:

1. Lorie (1984) (grateful acknowledgment)

songs of suraiyaji movie details n lyrics

1] Anmol Ghadi (1946) starring Amir Banu, Anwari, Leela Mishra, Murad, Noor Jehan, Suraiya, Surendra & Zahoor.
Lyrics composed by Tanvir Naqvi.
Music composed by Naushad Ali.
This movie had some very popular songs sung by Noor Jahan and Suraiya. Here are the Suraiya songs:

[1]mai dil mei dard basaa laayi

lyrics for mai dil mein dard basa laayi, nainon se nain mila aayi, unko apne man ki baatein bina kahe samjha aayi.

[2]man leta hai angdayi jawani chhayi

lyrics for man letaa hai a.Nga.Daaii, jIvan pe javAnI chhaaI.

lyrics in Hindi for man letaa hai a.Nga.Daaii, jIvan pe javAnI chhaaI.

[3]sochaa thaa kyaa, kyaa ho gayaa

lyrics for sochaa thaa kyaa kyaa ho gayaa. apnaa jise samjhe the hum afsos vo apnaa na thaa.

lyrics in Hindi for sochaa thaa kyaa kyaa ho gayaa. apnaa jise samjhe the hum afsos vo apnaa na thaa.

2] Badi Bahan (1949) starring Suraiya, Geeta Bali, Rehman & Pran.
Lyrics composed by Rajinder Krishan.
Music composed by Husnlal Bhagatram.

[1]tum mujhko bhool jaao ab hum na mil

[2]wo paas rahen yaa duur rahen nazron

lyrics for vo paas rahen yaa duur rahen nazaron me.n samaaye rahte hain. itnaa to bataa de koii hame.n, kyaa pyaar isii ko kahate hain.

lyrics in Hindi for vo paas rahen yaa duur rahen nazaron me.n samaaye rahte hain. itnaa to bataa de koii hame.n, kyaa pyaar isii ko kahate hain.

3] Bilwamangal (1954) starring Suraiya, Ulhas, Nirupa Roy & Asha Mathur.
Producer: Minal Movies
Director: D. N. Madhok
Lyrics: D. N. Madhok
Music Director: Bulo C. Rani

[1]hum ishq ke maaron ko do dil diye

[2]parwane se preet seekh li shamaa se

4] Dillagi (1949) starring Suraiya, Shyam, Amar, Amir Banu & Chanda Bai
Producer & Director: Kardar
Lyrics: Shakeel Badayuni
Music Director: Naushad

[1]char din ki thi chandni phir andher

[2]duniyaa kyaa jaane meraa afsaanaa

3]le ke dil chupke se kiyaa majboor

[4]murliwale murli bajaa sun sun murli

[5]niraalaa mohabbat kaa dastoor dekha

[6]tera khayaal dil se bhulaya na jaye

5] Gajre (1948) starring Suraiya, Agha, Geeta Nizami, Maruti, Moti Lal & Sangeeta
Director: RD Mathur
Lyrics: G. S. Nepali
Music Director: Anil Biswas

[1]duur papiha bola raat adhi rah gayi

[2]jalne ke siwaa yahaan kya rakha hai

[3]reh reh kar teraa chaand rulata hai

6] Goonj (1952) starring Suraiya, Suresh, Bhagwan, Madan Puri, Manju, Randhir, Ravikant & Sapru.
Lyrics composed by D. N. Madhok.
Music composed by Sardul Kwatra

[1]chale ja rahe ho jo nazren churaaye

[2]dil me umangen sajan nainon me rang

7] Jeet (1949) starring Suraiya, Dev Anand, Bhagwan, Durga Khote, Habib, Kanhaiya Lal & Madan Puri
Director: Mohan Sinha
Producer: Raj Kirti Chitra
Lyrics: Prem Dhawan
Music Director: Anil Biswas

[1]ban jao hindustani ab kaisi manmani

[2]kaam karo bhai jag me apna naam kar

[3]kuch phool khile armaano ke par jee

[4]tum mann kee peedaa kyaa jaano

[5]tum meet mere tum shyam mere yug ke

8] Mirza Ghalib (1954) starring Suraiya and Bharat Bhushan.
Music composed by Ghulam Mohammad.
The movie was about the legendary poet Mirza Ghalib and his poems have been sung here.

[1]aah ko chaahiye ek umar asar hone

[2]nuktachin hai gam-e-dil usko sunaye

[3]rahiye ab aisi jagah jaha koi na ho

[4]ye na thee hamaari kismat ki wisal

9] Mr. Lambu (1956) starring Suraiya, Minu Mumtaz, Helen, Bhagwan, N. A. Ansari & Sheikh Mukhtar
Director: NA Ansari
Producer : Sheikh Mukhtar Prod.
Lyrics: Jan Nisar Akhtar
Music Director: O. P. Nayyar

[1]yaad karun tori batiyaa ro ro bitau

10] Nayi Duniya (1942)starring Suraiya
Lyrics: Tanveer Naqvi
Music Director: Naushad Ali

[1]boot karun mai polish babu boot


11] Pyar Ki Jeet 1948) starring Suraiya & Rehman.
Lyrics composed by Rajinder Krishan.
Music composed by Husnlal Bhagatram.

[1]o duur jaanewaale wada na bhul jana

lyrics for o duur jaane vaale vaadaa na bhuul jaanaa. raate.n huI andherii tum chaa.Nd ban ke aanaa.

lyrics in Hindi for o duur jaane vaale vaadaa na bhuul jaanaa. raate.n huI andherii tum chaa.Nd ban ke aanaa.

[2]tere naino ne chori kiya mera chota

lyrics for tere naino.n ne chorI kiyA, morA chhoTA sA jiyA paradesiyA.

lyrics in Hindi for tere naino.n ne chorI kiyA, morA chhoTA sA jiyA paradesiyA.

[12] Rustom Sohrab (1963) starred Suraiya as the shehzadi. Prithviraj Kapoor portrayed her husband Rustom & Premnath portrayed her son Sohrab. Mumtaz was also in the movie.

This was Suraiya's last film. After this she retired.
Lyrics composed by Qamar Jalalabadi.
Music composed by Sajjad Hussain.

[1]ye kaisi ajab daastaan ho gayi hai

lyrics for ye kaisi ajab daastaan ho gayi hai, chhupaate chhupaate bayaan ho gayi hai.

13] Shaan (1950)starring Suraiya & Rehman
Lyrics: Rajinder Krishan
Music Director: Hansraj Behl

[1]o pardesi balma ab na tadpa o zalim

[2]tadap ai dil tadapne se zara aarsam

[3]kaho ji kis ki sachchi shaan
majboor hoon mai nashaad hoon mai

14] duets Suraiya sang with Mohammad Rafi in the movie Shaan:

[1]dil ke dhoke mei na aanaa

[2]hum bhee akele tum bhee akele

[3]hum tum se wafa karte tum hum se wafa karte

15] Shama (1961) starring Suraiya, Nimmi, Kumud Tripathi, Leela Mishra & Vijay Dutt
Producer : Tasweeristan
Director: Lekhraj Bhakri
Lyrics: Kaifi Azmi
Music Director: Ghulam Mohammed

[1]mast ankhon mei shararat kabhi aisi

16]Shama Parwana (1954)starring Suraiya & Shammi Kapoor.
Lyrics composed by Majrooh Sultanpuri.
Music composed by Husnlal Bhagatram.

[1]meraa dildaar naa milaayaa

[2]o jaan-e-tamannaa alvidaa alvidaa

17] Vidya (1948) starring Suraiya, Dev Anand, Amirbai Karnataki, Cuckoo & Madan Puri.
Director: G. Tridevi
Producer: Jeet Prod.
Music Director: S. D. Burman
Lyrics: Shanti Swaroop and Y. N. Joshi

[1]aaj meraa dil kisi pe aa gayaa

[2]jhoom rahi khushiyon ki naaow aaj

[3]kinare-2 chale jayenge jeewan naiya

[4]kise maalum tha 2 din me sawan beet

[5]o Krishna Kanhaai aashaon ki duniya

[6]laayi khushi ki duniyaa hanste hue

Suraiya was joined by Mukesh in the above song. One of the few duets they sang together.

18]Waris (1954) starring Suraiya, Talat Mahmood and Nadira.
Lyrics: Qamar Jalalabadi
Music Director: Anil Biswas

Suraiya and Talat Mahmood sang the songs both on and off screen. Please note that the duet version of this song is more popular and can be found at the Suraiya and Talat Mahmood duets page by using the following link.

[1]raahi matwaale tuu aa jaa ek baar

19] Dard (1947) starring Suraiya, Shyam, Badri Prasad, Husn Bano, Munawar Sultana & Nusrat.
Lyrics composed by Shakeel Badayuni.
Music composed by Naushad.

[1]beech bhanvar mei aan phasa hai dil

lyrics for beech bhanvar mein aan phansa hai dil ka safeena shaah-e-madeenaa

[2]chale dil ki duniya jo barbad karke

[3]dil dhadke aankh mori phadke

lyrics for dil dhadke aankh mori phadke. chale jaana na dekho ji bichhad ke.

20] Dastan (1950)starring Suraiya, Raj Kapoor, Murad, Pratima Devi & Veena.
Lyrics composed by Shakeel Badayuni.
Music composed by Naushad.

[1]aayaa mere dil mei tu ban ke dil ki

[2]ai shamma tu bata tera parwana kaun

The song 'ai shamma tu bata tera parwana kaun hai' is preceded by some dialogues. Raj Kapoor's voice seems to be heard here.

[3]mohabbat badhaa ke judaa ho gaye

[4]naam tera hai zubaan par yaad teri

[5]naino mei preet hai hothon pe geet

[6]ye mausam aur ye tanhaai

21]Maalik (1958) starring Talat Mehmood & Suraiya.
Lyrics composed by Shakeel Badayuni.
Music composed by Ghulam Mohammad.
Suraiya and Talat Mehmood sang the song and it was also filmed on them.

[1]mann dhire gaye re malum nahin kyon

lyrics for man dheere dheere gaaye re, maaloom nahi kyon. bin gaaye raha na jaaye re, maaloom nahi kyon.

22] Mirza Ghalib (1954) starring Suraiya and Bharat Bhushan.
Lyrics were composed by Mirza Ghalib in late 18th century.
Music composed by Ghulam Mohammad.
Suraiya sang her own songs and Talat Mehmood was playback singer for Bharat Bhushan.

[1]dil-e-nadan tujhe hua kya hai akhir

lyrics for dil-e-naadaa.n tujhe huaa kyaa hai. aakhir is dard kii davaa kyaa hai

lyrics in Hindi for dil-e-naadaa.n tujhe huaa kyaa hai. aakhir is dard kii davaa kyaa hai

23] Waaris (1954) starring Talat Mehmood With Suraiya & Nadira.
Lyrics composed by Qamar Jalalabadi.
Music composed by Anil Biswas.
There was no playback singing since both Talat Mehmood & Suraiya sang for themselves.

[1]duur hote nahi jo dil me raha karte

[2]ghar tera apna ghar lage jaye kahan

[3]raahi matwaale tu ched ek baar mann

lyrics for raahii matavaale, tuu chhe.D ik baar, man kaa sitaar. jaane kab chorii-chorii aaii hai bahaar chhe.D man kaa sitaar.

lyrics in Hindi for raahii matavaale, tuu chhe.D ik baar, man kaa sitaar. jaane kab chorii-chorii aaii hai bahaar chhe.D man kaa sitaar.

[url=http://suraiya-songs.tripod.com/]http://suraiya-songs.tripod.com/

This post has been edited by rashmi mehta: Jun 1 2011, 08:24 AM

[rashmi mehta]

Sharmila tagore

Being Sharmila

Sharmila Tagore, the '60s stunner, is as charming as ever in her 60s. The glamorous image will work for the moment. But you won't remain young all your life SHARMILA TAGORE

The exquisite Sharmila Tagore made hearts flutter as she she played the sometimes haughty and sometimes nice damsel in Bengali and Hindi cinema. Sharmila Tagore is undeniably the Bengal tigress. Millions of hearts were stolen right away when she appeared in her first film what with her glorious dimples and sassy smile. Her repertoire includes a wide range of histrionics from being a sex symbol to a sophisticated stylish icon to a National award winner.

Sharmila Tagore headed the Indian Censor Board and is also a UNICEF Goodwill Ambassador. In 1997, she was recognized for her work in cinema with the Filmfare Lifetime Achievement Award.

Every Indian who's sighed over Sharmila Tagore's dimples, drowned in that Kashmir ki Kali smile, seduced by her bikini babe image, and then cried with her in Amar Prem and Mausam will agree that the actor knows how to age gracefully. One can't quite believe that the mother of the hunk Saif Ali just celebrated her 62nd birthday!

Grandmother, mother of two actors and a designer, talented actor who tugged at audience heartstrings in the recent Virudhdh, chairperson of the Censor Board of Film Certification (CBFC), the Begum of Pataudi... the roles she plays in real life are as myriad as those celluloid roles. The list is impressive: Devi, Apur Sansar, An Evening in Paris, Anupama, Aradhana, Mausam, Amar Prem, Chupke Chupke, Anand Ashram and more. When her contemporaries were perceived as easy pushovers, Sharmila always had her fiercely independent identity.

Sharmila Tagore is one of the few true legendary actors of Indian cinema. Her career in movies spans the art films of Satyajit Ray, Bollywood extravaganzas, classic social dramas, and Indian parallel cinema. She is also considered of the most glamorous figures in the history of Indian Popular cinema.

Sharmila Tagore is one of the few true legendary actors of Indian cinema. Her career in movies spans the art films of Satyajit Ray, Bollywood extravaganzas, classic social dramas, and Indian parallel cinema. She is also considered of the most glamorous figures in the history of Indian Popular cinema.

Excerpt from IndiaInfo article, She was also a style setter. Her butterfly knot blouse, her style of making up, long eyelashes, her curvy dresses all became a fashion statement. In the mean time she also appeared on the cover of a magazine in two piece bikini which became the talk of the town.

Sharmila Tagore was born on 8th December 1946 in Hyderabad, Andhra Pradesh, India to a Bengali Brahmo family. Her father is Gitindranath Tagore who was a Deputy General Manager of Elgin Mills and she is the great grand daughter of the Nobel Laureate Rabindranath Tagore.

She is married to Mansoor Ali Khan, the Nawab of Pataudi who was the former captain of the Indian cricket team. Their children are Saif Ali Khan, Saba Ali Khan and Soha Ali Khan. Saif and Soha are actors.actor Saif Ali Khan born 16 August 1970, Saba and Soha Ali Khan, born 4 October 1978.

Sharmila Tagore headed the Indian Censor Board and is also a UNICEF Goodwill Ambassador. In 1997, she was recognized for her work in cinema with the Filmfare Lifetime Achievement Award.

Sharmila Tagore’s Movies
She began acting when she was fourteen years old in Bengali movies and worked frequently with Satyajit Ray. Tagore soon got many offers from Bollywood and has given many unforgettable performances. She became one of the first Indian actresses to appear in a bikini onscreen.

1959 to 1969 Sharmila Tagore’s first Bengali movie was Satyajit Ray’s Apur Sansar (1959), which was the last part of a trilogy. Devi (1960) saw her as Doyamoyee who comes to believe she is an avatar of the Goddess Kali. According to her those films were just an offhand chance and she acted in them out of sheer curiosity.

She made her debut in Bollywood with Kashmir Ki Kali directed by the famous director Shakti Samantha (1964 opposite Shammi Kapoor as Champa who falls in love with Rajiv who pretends to be a poor man.

In 1966 she took up the titular role of Anupama in the Hrishikesh Mukherjee's film. Though she sported a stylised bouffant, she vowed everyone as the simple, shy and soft-spoken girl.

She teamed up with Shammi Kapoor again in 1967 for An Evening in Paris, in which she played a dual role. She jolted everyone and went on to become one of the most hottest and glamorous actress of hertimes after she acted in a double role in An Evening in Paris. Millions went ga-ga over coquettish expressions in the song Akele Akele Kahan Ja rahe ho.

In 1968, she got married to the Nawab of Pataudi, the former Indian Captain Mansoor Ali Khan much to the disappointment of her fans. She converted to Islam and took on the name of Ayesha Sultana. She proved her detractors wrong who were sure that this marriage wont work if she were to continue acting in films. In fact her best performances were after she married and she did not keep away from the tinsel town for long.

She was back with a bang in the smash hit Aradhana with Rajesh Khanna released in 1969. In tow with director Shakthi Samantha , she went in for a complete change of image in this movie as a total deglamorised mother. Shakti Samanta’s Aradhana saw her with Rajesh Khanna. She played Vandhana whose lover dies and she gives birth to their baby which she is forced to give up for adoption. She won her first Filmfare Best Actress Award for Aradhana.

Rajesh Khanna and Sharmila were declared a hit pair and they went on to give many more super duper films like Safar, Amar Prem, Daag and the artistically acclaimed Aavishkar. There was much speculation about the rivalry between her and Raakhee while they were shooting the film Daag.

In Aavishkar, her character again mostly relied on her talent with minimum makeup, no wigs and she very ably matched Rajesh Khanna as she alternated between bouts of anger and remorse as the wife struggling to save her marriage.

In between these schedules she also gave birth to her first child Saif Ali Khan who is now a star in his own right.

The year 1975 saw Sharmila as the obscenity-spewing whore in the film Mausam, again a dual role, opposite Sanjeev Kumar directed by Gulzar. This movie also garnered her the coveted National Award. Her other movies with Sanjeev Kumar include Charitraheen, GrihaPravesh and Namkeen.

She moved to Delhi after Mausam and also had two daughters Soha and Saba.

Sharmila has also been paired with other stars like Shashi Kapoor (Aa Gale Lag Ja, Waqt, Aamne Saamne, Suhana Safar)

Dharmendra (Devar, Chupke Chupke, Satyakaam and ofcourse Anupama)

and the superstar Amitabh Bachchan (Faraar, Besharam and Desh Premee) but these pairs did not create as much an impact.

Gulzar’s Mausam (1975) was a love story which also starred Sanjeev Kumar. She played a dual role as the mother and daughter and went on to win the National Film Award for Best Actress.

Hrishikesh Mukherjee’s Chupke Chupke (1975) was a lighthearted comedy with Dharamendra and Amitabh Bachchan.

She had few releases in the 80s like Namkeen (1982), Desh Premee (1982) and Sunny (1984).

Settling down in Delhi, she would return to Bombay once in a while to do an occasional film like New Delhi Times and Namkeen which was directed by one of her favourite director Gulzar.

1990 to 2009 She got an opportunity to work with Mira Nair in Mississippi Masala (1991). She played Roshan Seth’s wife in the movie. The story was about them forced to leave their home in Uganda and dealing with their daughter’s relationship with an African American.

She was seen with her son Saif Ali Khan in Aashiq Awaara (1993). Her other movies were Mann (1999), Dhadkan (2000), Viruddh (2005), Eklavya: The Royal Guard (2006) and Fool & Final (2007).

In recent times she was seen in Mann, 1999 and Dhadkan, 2000, but was a huge disappointment to her fans in not-so-well etched characters.

In 2009, she has a part in Nagesh Kukunoor’s 8x10 Tasveer and Amol Palekar’s Samantar.

Nowadays, Sharmila is shooting with Raakhee, supposedly her one-time arch rival, for Shubha Muhurat, a Bengali film directed by Rituparno Ghosh.

It seems like nothing has changed for Sharmila and time has stood still on the beautiful Sharmila. She still is as stylish and elegant as ever and those dimples have deepened.

Once at the helm of stardom, Sharmila Tagore may have retreated into the solace of family life, but every now and then, she does return to recreate her aura on screen. This time around, it’s Nagesh Kukunoor’s 8X10 Tasveer that has brought her back.

Tagore, or Begum Pataudi, chooses her words carefully. “I’ve admired Nagesh’s work — I really liked his Dor and Iqbal. His stories are simple yet told interestingly and his efforts are sincere,� says the veteran actress, “And I can’t be expected to have a full-fledged career; I’ve had my innings and now I like to do things at my own pace.�

Tagore does accept that she’s doing more regional cinema than mainstream. Having recently concluded friend Amol Palekar’s Samantar and released Anirudhha Roy Choudhary’s Antaheen, she’s now taking a break. “Bengali films offer more scope in terms of characters and roles, which seems limited in the Hindi film industry for someone my age. But Tasveer is different.�

Sharmila also revealed that lawns of the Pataudis will soon be open to common people for philanthropic work. "We did something for the visually challenged sometime back and now we want to do something for people suffering from hearing related problems.

We want to follow the earlier module by tying up with organisations working for the cause of the deaf people and bring them to our place once or twice a week and give them free treatment.

Tagore is renowned as the apogee of elegance; but she’s also known for her candour — she is still remembered as much for her sensitive portrayal of a child bride in Satyajit Ray’s Apu Sansaar as is for being the first actress to have donned a swimsuit for a photo shoot — which was partly the reason for her having been chosen as the chairperson of the Censorship Board.

THE HINDU - Metro Plus Mangalore

The actor looks back contentedly at the years gone by even as she still wants to have fun. She augurs good portent when she says: "I would like to start by saying that I like The Hindu and that's the only paper I read. And that's the only crossword I do!"

So does life begin at 40 like they all say? "I've enjoyed every facet of life," says Sharmila, reviewing her life by the decade. "When I was 20, I did all that a 20-year-old wanted to do. I made mistakes. And I have evolved. The 30s was a wonderful time — it was children; 40s was coming to terms with my mother-in-law in a joint family and the children's education, and teenage times. The 50s was a liberating time when one had done everything for family and children and suddenly realised `I'm free and I can do what I say'. There's a different kind of coming to your own; and you consider yourself asexual as a person, not as a woman per se. You stop apologising for being a working person."

And coming back into the loop was a refreshing change. She recalls how she had to print a business card. "I didn't know... I'm Mrs. Khan in school and Begum of Pataudi in Pataudi, so I've all these various things. So I said Sharmila Tagore is my name. It's a phase of a realisation of the self," she smiles looking breezy in a peach-and-white sari and an elegant string of pearls.

"Even in your 60s you're quite capable of doing something foolish or uninformed. Just because you are at a ripe old age doesn't mean you're the end word in wisdom. You have experiences but unless you assimilate them and internalise them, make it knowledge and transcend that, they are just nothing."

Freedom but not free

Being CBFC chairperson is no mean task, where the scissor-wielding image of the members comes in for much flak from directors demanding unconditional freedom of creativity and expression. Sharmila however believes that problems come because of changing the status quo. "Nobody wants to take a decision. Ideally censorship must go. But I firmly believe the time hasn't come yet for India. We are talking about creative freedom; but nothing is free. Responsibility and freedom must go hand-in-hand. I'm free to do what I want. But are we totally free? We are not. I cannot hurt somebody's sentiment."

She admits emphatically: "We are only there to certify films, not to make socially relevant films. But we can make a dialogue possible between filmmakers and members of society."

Of course, there will always be a percentage of films made just for the sake of making money. "Manipulative films will always be there. These are more dangerous than just straightforwardly sexy or violent films. Films that endorse stereotypes and put in an insidious message are even more dangerous."

Though she hasn't seen son Saif Ali Khan's favourably received Being Cyrus she's very impressed with his acting — as a co-actor and not a mother! "With films like Hum Tum and Parineeta he has been proving his mettle and he's become a sensitive actor." With daughter Soha Ali Khan going big time with Rang De Basanti the question is inevitable. Were you apprehensive about the kids getting into cinema? "Not so much with Saif... but this is where the double standards come in," she admits rather frankly. "(With) Soha, I most certainly was apprehensive. I was like `Oh God! Is it all right?' When you give your children a certain education, and then when they choose something, you can't crib about it," says the democratic mom who's seen a lot of ups and downs in the family.

Soha joins an industry where heroines are obsessive about glamour. When Sharmila became the first Hindi actor to wear a two-piece bikini in An Evening in Paris, she set off a predictable uproar.

The rattled actor then chose to change tack. "You need a short-term vision as the way to a long-term vision. The glamorous image will work for the moment. But you won't remain young all your life. And if you want longevity in your profession, you have to be able to do all kinds of roles. Instead of exhibiting yourself, you have to express yourself," is how she succinctly puts it.

An actor discovered by none less than the great Satyajit Ray, Sharmila moved pretty fast to Bollywood. Any regrets? "With Ray, it was more his contribution (than) mine. If I hadn't broken away from him, all my life I would have been in his shadow. Now whatever I've achieved I've achieved on my own," says the doe-eyed Bengali, a kin of Rabindranath Tagore. "I think I came to my own with my exposure, away from that protected and `good' atmosphere. Because I had to fend for myself here. Every person wants to feel that their achievement is their own."

And no one can stake claim to that better than Sharmila Tagore.

Awards

* 1969 - Filmfare Best Actress Award - Aradhana
* 1976 - National Film Award for Best Actress - Mausam
* 1997 - Filmfare Lifetime Achievement Award
* 2002 - Star Screen Lifetime Achievement Award
* 2004 - National Film Award for Best Supporting Actress - Abar Aranye
* 2006 - Nominated, Filmfare Best Actress Award - Viruddh... Family Comes First
* 2007 - Lifetime Achievement National Award (Actress) - By [www.journalistassociationofindia.org Journalist Association of India]
[color][color=maroon]
filmography

Year Film Role Other notes
1959 Apur Sansar (The World of Apu) Aparna (dir. Satyajit Ray)
1960 Devi / The Goddess Doyamoyee (dir. Satyajit Ray)
1964 Kashmir Ki Kali
1965 Waqt Renu Khanna
1966 Devar
1966 Anupama Uma Sharma
1966 Nayak Aditi (dir. Satyajit Ray)
1967 An Evening in Paris Deepa Malik/Roopa Malik (Suzy)
1967 Aamne Saamne
1968 Mere Hamdam Mere Dost Anita
1969 Yakeen Rita
1969 Satyakam Ranjana
1969 Aradhana Vandhana Tripathi
1970 Aranyer Din Ratri (Days and Nights in the Forest) Aparna (dir. Satyajit Ray)
1971 Seemabaddha Tutul (dir. Satyajit Ray)
1972 Amar Prem Pushpa
1973 Daag
1973 Aa Gale Lag Jaa
1975 Mausam Chanda/Kajli (dir. Gulzar)
1975 Chupke Chupke Sulekha Chaturvedi
1975 Faraar Mala / Asha
1977 Amanush Rekha
1982 Namkeen Nimki (dir. Gulzar)
1982 Desh Premee Bharti
1984 Sunny Sunny's mother
1991 Mississippi Masala Kinnu (dir. Mira Nair)
1993 Aashiq Awara Mrs. Singh
1999 Mann Dev's grandmother
2000 Dhadkan Dev's mother
2005 Viruddh... Family Comes First Sumitra Patwardhan (dir. Mahesh Manjrekar)
2006 Eklavya: The Royal Guard Suhasinidevi (dir. Vidhu Vinod Chopra)
2007 Fool and Final
2008 Eight by Ten
2009 Samantar - Marathi (dir. Amol Palekar)

http://en.wikipedia.org/wiki/Sharmila_Tagore
http://www.chakpak.com/celebrity/sharmila-.../biography/9845
http://www.santabanta.com/cinema.asp?pid=3236actor
http://www.hinduonnet.com/thehindu/thscrip...amp;prd=mp&
http://www.expressindia.com/latest-news/Ak...-Tagore/442647/
http://www.dnaindia.com/report.asp?newsid=1243715
http://bollywood501.com/classic_f/sharmila_tagore/main.html

Aradhana" [1969]

Sharmila Tagore is one of the few true legendary actors of Indian cinema. Her career in movies spans the art films of Satyajit Ray, Bollywood extravaganzas, classic social dramas, and Indian parallel cinema. She is also considered of the most glamorous figures in the history of Indian Popular cinema.

Excerpt from IndiaInfo article, She was also a style setter. Her butterfly knot blouse, her style of making up, long eyelashes, her curvy dresses all became a fashion statement. In the mean time she also appeared on the cover of a magazine in two piece bikini which became the talk of the town. '"Looking back, I realize I was very different from the other actresses of my time. My behavior was grossly misinterpreted. I felt I was making mistakes all the time. I'd wear clothes that were not suitable. Everybody would be wearing a sari and I'd turn up in jeans. I was also accused of being snooty and arrogant, which I was not. I didn't know that one was expected to lead a certain lifestyle." IndiaInfo.com biography

"An Evening In Paris" [1967]

Sharmila's and other Bollywood actresses' style and dress had a huge influence on every young Indian woman of the 60s and 70s.

Sharmila was a sensation in 60s and 70s Bollywood. Much could and should be written (*I'm working of a paper right now) about the 'Bikini Photo' showing Sharmila in a two piece Western style bathing suit that was published in Indian magazines in 1966. For many Indian and Islamic conservatives the photo was scandalous. The Photo opened debates on many issues that dealt with sex, gender, and culture. Sharmila and other young Indian woman of her generation wondered what the big deal was? She just wanted to wear the latest vogue fashions.

In the 60s and 70s Sharmila could always be counted on to add 'sizzle' to a Bollywood movie. Her signature Bollywood film was Shakti Samanta's classic "An Evening In Paris" (1967). I've posted an image captures gallery from "An Evening In Paris" below to display the amazing bouffant and style of Sharmila Tagore.

"Amar Prem" [1971]

Sharmila Tagore is an actress who balanced her career between 'art films' and popular cinema. In the 1970s she had a screen association with Rajesh Khanna (who was the film heart throb of heart throbs) that produced some of the all time classics of Bollywood social drama with films like "Aradhana" [1969], "Amar Prem" [1971], and "Safar" [1970]. With her trademark dimpled cheek, amazing bone structure, and wonderful figure she also headed the glamorous A list of popularity in Bollywood masala entertainers.
On screen Tagore seemed as much at home in a 'sizzling' and 'revealing' item number in a film like "An Evening In Paris" as she was in a quiet nearly silent portrayal as an inhibited youth as in Hrishikesh Mukherjee's "Anupama" [1966].
In 1997 Sharmila Tagore won the award for Lifetime Achievement at the Filmfare Awards. She is truly one of the great actresses of Indian Cinema.

"Kashmir Ki Kali" (1964) Sharmila's first Hindi film staring role.

Sharmila Tagore from "Anupama" [1966]


photo captures from "An Evening In Paris" [1967]

Photo captures from "Waqt" (1965)


photo captures from "Amar Prem" (1971)

This post has been edited by rashmi mehta: Apr 10 2009, 05:03 AM