Ek Fankaar, any artist's life, filmography, Suraiya Jamaal Sheikh, S D Burman, Options

[rashmi mehta]

page no : 1
SURAIYAJI
S. D. BURMAN
MADHUBALA
SARASWATI RANE
NUSRAT FATEH ALI KHAN
SHAUKAT DEHELAVI NAASHAD
DEVIKA RANI CHAUDHURY
SUDHA MALHOTRA
RAJKUMARI DUBEY
JATIN LALIT
BULO C RANI

page no : 2

SHARMILA TAGORE
INDEEVAR
SHAKTI SAMANTA
M E E N A K U M A R I
S A N J E E V K U M A R
SRI DEVI
GEETA BALI
MAJRU SULTANPURI
KAIFI AZMI
RAJA MEHDI ALI KHAN

page no : 3

RAJENDRA KRISHAN
TANUJA SAMARTH
MALA SINHA
AAMIR KHAN
KATRINA KAIF



suraiyaji


Born Suraiya Jamaal Sheikh
June 15, 1929 (1929-06-15) (age 79)
Gujranwala, Punjab, now Pakistan
Died January 31, 2004 (aged 75)

Suraiya Jamaal Sheikh (June 15, 1929 - January 31, 2004) was a singer and actress in Indian films, and was popularly known as Suraiya in the film industry. She became a superstar in the 1940s and 50s during the time when actors sang their own songs. IF SHANTA APTE brought spontaneity and refreshing directness in her singing and song-delivery style, Suraiya marked a completely dif­ferent but equally important breakaway from tradition. Born Suraiya Jamal Sheikh in Lahore, she introduced the typical 'adakari' of North Indian Muslims into Hindi films. Expertly combining gestures, music, speech and eloquent eyes, she paved the way for later hearthrobs like Rekha and Madhuri Dixit with her bewitching song delivery. Alhough Noorjehan and Khurshid also brought the same Muslim adakari onscreen with their films, it was Suraiya who shone out as the epitome of that style. Save for her arresting, almond-shaped eyes, Suraiya was not a classic beauty; nor did she trained in classical music. Suraiya , the lovely melody queen created aura with her popular numbers like 'tu mera chaand, main teri chandani' ,'dil-e-nadan, tujhe hua kya hai' and 'woh paas rahe ya door rahe' . Her sultry looks and al­luring eyes matched her melodious voice and distinc­tive style to make her one of the greatest feminine icons of her time, attracting a gen­eration of young women who sought to emulate her and young men who mooned for her.

Early life

Suraiya was born in Gujranwala, Punjab now in Pakistan and was the only child of her parents. She was a dark plain looking girl and was not trained in music, however she went on to become a successful actress and singer.

She had been educated in New Girls' High School in Bombay. Simultaneously she was given religious teachings in Persian at home.

Career

Like many leading ladies of the past, Suraiya's entry into the world of movies was more accidental, than otherwise

Suraiya made her debut as a child artist in Usne Kya Socha (1937). Her films as a child artist ran between 1937 and 1941. She got a break in films with the help of her uncle Zahoor, who was a popular villain of his time. In 1941 during a holiday from school, she accompanied her uncle to Mohan Studios to see the shooting of the film Taj Mahal (1941), a film by Nanubhai Vakil. Vakil noticed the 12-year old girl and chose her to play the role of a young Mumtaz Mahal as they had nobody else to play the role. During her school days she used to participate in "Children Program" on Radio along with Shammi and Rajkapoor. She could sing some popular songs of that time with melody and fidelity . Naushad had heard her voice on the All India Radio where she sang for a children's programme at the insistence of friend Raj Kapoor and neighbour Madan Mohan. From radio, Suraiya moved on to playback singing -- App.reciating her singing talent, a song "Boot karun mein polish" was recorded in her voice by Naushad Sahib in 1942 for the film "Nai-Dunia". In the same year she performed a role in film "Station Master" Other films of her playback singing with music by Naushad Sahib were "Sharda" (Punchi Ja- pechey raha hae bachpan mera), "Qanoon" and "Sanjog"Her singing career soon found a mentor in music maestro Naushad chose her to sing as a 13 year old for Mehtaab in Kardar's Sharda (1942). Suraiya had to stand on a stool to reach the mike to croon Panchi ja, picturised on the much-older heroine, Mehtaab.
She was effectively launched as a singing star in Bombay Talkies Humaari Baat (1943).

She initially started by playing secondary roles in films like K. Asif's Phool (1944) but She made her presence felt in perhaps India's first multi-starrer, played strong supporting second lead roles to Noorjehan in Mehboob Khan's Anmol Ghadi (1946) and Munawar Sultana in Dard (1947). Suraiya had her moments with Socha Tha Kya, Main Dil Mein Dard Basa La Aayee and Man Leta Hai. She got the break as a heroine for the movie Tadbir (1945) at the recommendation of K. L. Saigal who liked her voice during a rehearsal. She went on to co-star with Saigal for two more films Omar Khayyam (1946) and Parwana (1947). More opportunities appeared for Suraiya after reigning actresses Noor Jehan and Khursheed Bano migrated to Pakistan during the 1947 partition. the last remembered for her haunting rendition of Jab Tumhi Nahin Apne.Her pairing with the then superstar Dev Anand was a huge hit and the two went on to star in many successful movies together - Afsar, Shayar and Jeet etal.

Nadira, who later costarred with Suraiya in Waris, says, "My father went repeatedly to the theatre to watch Suraiya sing Socha tha kya. He would walk out the moment the song ended."

Suraiya had an edge over her contemporaries Kamini Kaushal and Nargis because she could sing her own songs. The years 1948-49 were the best of her career - The 1948-49 phase saw her rise to her peak. After three hits Pyar Ki Jeet (1948), Badi Bahen and Dillagi (1949), she became the highest paid female star. At her peak, Suraiya generated hysteria comparable only to Rajesh Khanna in the late 1960s and early 1970s. Shop owners would down their shutters to see her starrers on the first day itself, crowds would throng outside her residence at Marine Drive in Bombay just to get a glimpse of her and actor Dharmendra recalls going to see Dillagi 40 times! Her songs from the above films Tere Nainon Ne Chori Kiya, O Door Jaanewaale (Pyar ki Jeet), Woh Paas Rahe Ya Door Rahe, O Likhnewaale Ne, Bigdi Bananewaale (Badi Bahen) and Tu Mera Chand, Murliwaale Murli Bajaa (Dillagi) were hummed in every nook and corner of the country. Her reign at the top was brief and her films started flopping in the 1950s. She made a comeback with Waaris and Mirza Ghalib (1954) in which she played the role of the married Ghalib's lover.She made a short-lived comeback with Waaris (1954) and Mirza Ghalib (1954). The latter saw her finest dramatic performance as she made alive and vivid the role of the married Ghalib's lover, a courtesan. Ghalib also saw some of her finest singing - Aah ko Chaihiye Ek Umar, Nuktacheen Hai Gham-e-Dil, Dil-e-Nadaan Tujhe Hua Kya Hai, Yeh Na Thi Humari Kismet etc. Her singing is till date regarded as the definitive Ghalib. In fact India's then Prime Minister Jawaharlal Nehru paid her the ultimate compliment by telling her " Tumne Mirza Ghalib ki Rooh ko Zinda Kar Diya" (she had brought Mirza Ghalib to life). In Nitin Bose's Waris (1954), Suraiya costarred with singing star Talat Mehmood (incidentally, she played heroine opposite another singer who tried to be an actor, Mukesh, in 1953's Mashuqa, too). With the sonorous melody, Rahi matwale, Anil Biswas and Suraiya proved their continuing relevance in a new age. Her last film was Rustom Sohrab (1963) following which she kept away from films. A spate of indifferent films followed. Suraiya had grew bulkier but her songs were still exquisite --- Aap se pyar hua jaata hai in Shama (1961), or the serene duet with Talat, Man dheere dheere gaye re in Maalik (1958). In 1963, to the strains of Yeh kaisi ajab dastaan ho gayee hai, the Sajjad jewel from Rustom Sohrab, Suraiya bade farewell to the studios. Suraiya Jamaal Sheikh's legend has endured for over four decades after her retirement post Rustom Sohrab (1963). It is fuelled by her one-time Dev Anand association, her repertoire of lilting songs and an air of mystique.

She stayed at "Krishna Mahal", her Marine Drive residence in Mumbai til her death. The walls and mirrors of Krishna Mahal flat on Marine Drive, are the only objects that set their eyes on this star of yesteryears. But she broke her self-imposed exile when she made a rare appearance at the Screen Videocon awards when Sunil Dutt presented her the Lifetime Achievement award. Radiant in a white salwar kameez she carried herself with the grace of a much younger woman.

The gentle sway of her hips spoke of her delicate style of dancing. The only thing that had remained completely unchanged was her voice. Tremulous with emotion, Suraiya's voice was choked with emotion when she took her award. She spoke of her long association with the film world and she was deeply touched that audiences still remembered her. But when Javed Jaffery pressed her to sing or just hum -- she refused. As a star shestill remembers the meaning of letting a legend live. Heroines are captured forever on the silver screen and the public's memory must never be updated.

Personal life

But her luck did not hold out in her personal life and Suraiya faced her biggestdisappointment. She first met Dev Anand in 1948, when she was just 19 years old. They were co-starring in the film Vidya and on the second day itself cupid struck. During the shooting of a song, a boat capsized and Dev Anand saved Suraiya from drowning. . And when he saved her from drowning during the filming of the song `Kinare Kinare Chale Jayenge', Suraiya was convinced that she had met her cosmic mate. She fell in love with him. Suraiya was romantically involved with actor Dev Anand and the two of them did six films together between 1948 and 1951. but her grandmother opposed the relationship. They were romantically linked and were all set to marry when her strict grandmother put her foot down and broke their relationship. She banned meeting, telephone calls and even talking on the sets. The entire affair was conducted in a clandestine manner with friends like Durga Khote and Kamini Kaushal going out of their way to engineer secret rendezvous. On the sets of the film Jeet, Dev Anand finally proposed to Suraiya and gave her a diamond ring worth Rs 3,000 -- a princely sum for a fledgling star. But even that memento was snatched away from her when her grandmother saw the ring and threw it away into the sea. She also burnt all of Dev Anand's letters in front of Suraiya's eyes. Her objection to the romance: (Dev Anand is a Hindu while Suraiya is a Muslim). A hunt for a Muslim husband began but marriagewas not in Suraiya's fate. In 1951, Dev Anand married Kalpana Kartik -- ending one of the silver screen's greatest romances. The heartbroken Suraiya never married though many leading men of her time were interested in her.Surraiya's idol was Gregory Peck and he visited her by surprise during a night of 1954 while in transit at Mumbai on his way to Srilanka for shooting. He was much impressed by her simplicity.Dev Anand molded himself in postures of Gregory Peck but after long awaiting he married Kaplna Kartak.Suraiya remained unmarried all her life.

Dev Anand accepts his love for Suraiya

the unmarried Suraiya lives alone in her plush Marine Drive apartment. Rarely does one see a bejewelled Suraiya at a party. Even after her strict grandmother, who kept suitors at bay and producers at arm's length, passed away, Suraiya continued to be inaccessible to the hoi polloi.

Her decision to reside in an ivory tower has added to her mystique, while her resolve to shun character roles ensured that she is always remembered as a heroine. Most quaintly, Suraiya also chose not to sing any new film song in the last 40 years.

Death

She died in 2004 of old age at 75. In 2004, during the Sansui Awards, actress Jaya Bhaduri received the Lifetime Achievement Award and while she was on stage, she was disappointed that no one gave a tribute to the legendary actress Suraiya who had passed right around that time.

Suraiya's dastaan, ajeeb but fascinating, continues to thrive on lore, speculation and memories.


http://en.wikipedia.org/wiki/Suraiya

http://www.chakpak.com/celebrity/suraiya/biography/8847

http://www.bollymood.com/biography/suraiya/

http://www.indianmelody.com/suraiyaarticle1.htm


Filmography

Actress:

* 1960s
* 1950s
* 1940s

1. Rustom Sohrab (1963) .... Shehzadi Tehmina
2. Shama (1961) .... Roshan Ara

3. Malik (1958)
4. Trolley Driver (1958)
5. Mr. Lambu (1956)
6. Inaam (1955)
7. Bilwamangal (1954)
8. Mirza Ghalib (1954) .... Chaudvin
9. Shama Parwana (1954) .... Sahebzadi Aalam
10. Waris (1954) .... Shobha ... aka Heir
11. Mashooka (1953)
12. Deewana (1952)
13. Goonj (1952)
14. Khubsurat (1952) ... aka Khubsoorat (India: Hindi title: alternative transliteration)
15. Lal Kunwar (1952)
16. Moti Mahal (1952)
17. Do Sitare (1951)
18. Rajput (1951)
19. Sanam (1951)
20. Afsar (1950) .... Bimala ... aka Officer
21. Badi Bahen (1950) ... aka Elder Sister
22. Dastan (1950) .... Indira
23. Kamal Ke Phool (1950)
24. Khiladi (1950)
25. Nili (1950)
26. Shaan (1950)
27. Jeet (1949) .... Jeet
28. Amar Kahani (1949)
29. Badi Bahen (1949)
30. Balam (1949)
31. Bombay (1949)
32. Char Din (1949)
33. Dillagi (1949) .... Heer ... aka Mischief (International: English title)
34. Duniya (1949)
35. Lekh (1949)
36. Naach (1949)
37. Shair (1949) .... Rani
38. Shayar (1949)
39. Singaar (1949)
40. Aaj Ki Raat (1948)
41. Gajre (1948)
42. Kajal (1948) ... aka Eyes (International: English title)
43. Pyaar Ki Jeet (1948)
44. Rang Mahal (1948)
45. Shakti (1948)
46. Vidya (1948) .... Vidya
47. Bhatakti Maina (1947)
48. Dak Bangla (1947)
49. Dard (1947)
50. Do Dil (1947)
51. Do Naina (1947)
52. Naatak (1947)
53. Parwana (1947) .... Gopi
54. 1857 (1946) ... aka Eighteen Fifty-Seven
55. Anmol Ghadi (1946) .... Basanti ... aka Precious Time
56. Chehra (1946)
57. Jag Biti (1946)
58. Main Kya Karun (1945)
59. Phool (1945)... aka The Flower
60. Tadbir (1945) .... Saguna
61. Hamari Baat (1943)
62. Ishara (1943)
63. Station Master (1942) .... Usha
64. Tamanna (1942)
65. Taj Mahal (1941) .... Child Mumtaz

Music Department:

* 1960s
* 1950s
* 1940s

1. Do Dil (1965) (playback singer)
2. Rustom Sohrab (1963) (playback singer)
3. Shama (1961) (playback singer)
4. Malik (1958) (playback singer)
5. Taqdeer (1958) (playback singer)
6. Trolley Driver (1958) (playback singer)
7. Mr. Lambu (1956) (playback singer)
8. Bilwamangal (1954) (playback singer)
9. Mirza Ghalib (1954) (playback singer)
10. Waris (1954) (playback singer)
... aka Heir
11. Mashooka (1953) (playback singer)
12. Deewana (1952) (playback singer)
13. Goonj (1952) (playback singer)
14. Khubsurat (1952) (playback singer)... aka Khubsoorat (India: Hindi title: alternative transliteration)
15. Lal Kunwar (1952) (playback singer)
16. Moti Mahal (1952) (playback singer)
17. Rajput (1951) (playback singer)
18. Sanam (1951) (playback singer)
19. Afsar (1950) (playback singer)... aka Officer
20. Badi Bahen (1950) (playback singer)... aka Elder Sister
21. Dastan (1950) (playback singer)
22. Kamal Ke Phool (1950) (playback singer)
23. Nili (1950) (playback singer)
24. Shaan (1950) (playback singer)
25. Jeet (1949) (playback singer)
26. Amar Kahani (1949) (playback singer)
27. Badi Bahen (1949) (playback singer)
28. Dillagi (1949) (playback singer)... aka Mischief (International: English title)
29. Duniya (1949) (playback singer)
30. Lekh (1949) (playback singer)
31. Naach (1949) (playback singer)
32. Shair (1949) (playback singer)
33. Singaar (1949) (playback singer)
34. Gajre (1948) (playback singer)
35. Rang Mahal (1948) (playback singer)
36. Shakti (1948) (playback singer)
37. Vidya (1948) (playback singer)
38. Dak Bangla (1947) (playback singer)
39. Dard (1947) (playback singer)
40. Do Dil (1947) (playback singer)
41. Naatak (1947) (playback singer)
42. Anmol Ghadi (1946) (playback singer)
... aka Precious Time
43. Jag Biti (1946) (playback singer)
44. Tadbir (1945) (playback singer)
45. Kanoon (1943) (playback singer)
... aka The Law (International: English title)
46. Sharda (1942) (playback singer)

Soundtrack:

1. Malik (1958) (performer: "Man Dhire Dhire Gaye Re Malum Nahin Kyon")
2. Mirza Ghalib (1954) (performer: "Dil-e-nadan Tujhe", "Aah Ko Chahiye Ek Umar",

"Nukta Cheen Hai", "Jahan Koi Na Ho", "Yeh Na Thi Hamari Qismat")

Producer:

1. Shagoon (1964) (producer) (as Suraiya Mubin)

Thanks:

1. Lorie (1984) (grateful acknowledgment)

songs of suraiyaji movie details n lyrics

1] Anmol Ghadi (1946) starring Amir Banu, Anwari, Leela Mishra, Murad, Noor Jehan, Suraiya, Surendra & Zahoor.
Lyrics composed by Tanvir Naqvi.
Music composed by Naushad Ali.
This movie had some very popular songs sung by Noor Jahan and Suraiya. Here are the Suraiya songs:

[1]mai dil mei dard basaa laayi

lyrics for mai dil mein dard basa laayi, nainon se nain mila aayi, unko apne man ki baatein bina kahe samjha aayi.

[2]man leta hai angdayi jawani chhayi

lyrics for man letaa hai a.Nga.Daaii, jIvan pe javAnI chhaaI.

lyrics in Hindi for man letaa hai a.Nga.Daaii, jIvan pe javAnI chhaaI.

[3]sochaa thaa kyaa, kyaa ho gayaa

lyrics for sochaa thaa kyaa kyaa ho gayaa. apnaa jise samjhe the hum afsos vo apnaa na thaa.

lyrics in Hindi for sochaa thaa kyaa kyaa ho gayaa. apnaa jise samjhe the hum afsos vo apnaa na thaa.

2] Badi Bahan (1949) starring Suraiya, Geeta Bali, Rehman & Pran.
Lyrics composed by Rajinder Krishan.
Music composed by Husnlal Bhagatram.

[1]tum mujhko bhool jaao ab hum na mil

[2]wo paas rahen yaa duur rahen nazron

lyrics for vo paas rahen yaa duur rahen nazaron me.n samaaye rahte hain. itnaa to bataa de koii hame.n, kyaa pyaar isii ko kahate hain.

lyrics in Hindi for vo paas rahen yaa duur rahen nazaron me.n samaaye rahte hain. itnaa to bataa de koii hame.n, kyaa pyaar isii ko kahate hain.

3] Bilwamangal (1954) starring Suraiya, Ulhas, Nirupa Roy & Asha Mathur.
Producer: Minal Movies
Director: D. N. Madhok
Lyrics: D. N. Madhok
Music Director: Bulo C. Rani

[1]hum ishq ke maaron ko do dil diye

[2]parwane se preet seekh li shamaa se

4] Dillagi (1949) starring Suraiya, Shyam, Amar, Amir Banu & Chanda Bai
Producer & Director: Kardar
Lyrics: Shakeel Badayuni
Music Director: Naushad

[1]char din ki thi chandni phir andher

[2]duniyaa kyaa jaane meraa afsaanaa

3]le ke dil chupke se kiyaa majboor

[4]murliwale murli bajaa sun sun murli

[5]niraalaa mohabbat kaa dastoor dekha

[6]tera khayaal dil se bhulaya na jaye

5] Gajre (1948) starring Suraiya, Agha, Geeta Nizami, Maruti, Moti Lal & Sangeeta
Director: RD Mathur
Lyrics: G. S. Nepali
Music Director: Anil Biswas

[1]duur papiha bola raat adhi rah gayi

[2]jalne ke siwaa yahaan kya rakha hai

[3]reh reh kar teraa chaand rulata hai

6] Goonj (1952) starring Suraiya, Suresh, Bhagwan, Madan Puri, Manju, Randhir, Ravikant & Sapru.
Lyrics composed by D. N. Madhok.
Music composed by Sardul Kwatra

[1]chale ja rahe ho jo nazren churaaye

[2]dil me umangen sajan nainon me rang

7] Jeet (1949) starring Suraiya, Dev Anand, Bhagwan, Durga Khote, Habib, Kanhaiya Lal & Madan Puri
Director: Mohan Sinha
Producer: Raj Kirti Chitra
Lyrics: Prem Dhawan
Music Director: Anil Biswas

[1]ban jao hindustani ab kaisi manmani

[2]kaam karo bhai jag me apna naam kar

[3]kuch phool khile armaano ke par jee

[4]tum mann kee peedaa kyaa jaano

[5]tum meet mere tum shyam mere yug ke

8] Mirza Ghalib (1954) starring Suraiya and Bharat Bhushan.
Music composed by Ghulam Mohammad.
The movie was about the legendary poet Mirza Ghalib and his poems have been sung here.

[1]aah ko chaahiye ek umar asar hone

[2]nuktachin hai gam-e-dil usko sunaye

[3]rahiye ab aisi jagah jaha koi na ho

[4]ye na thee hamaari kismat ki wisal

9] Mr. Lambu (1956) starring Suraiya, Minu Mumtaz, Helen, Bhagwan, N. A. Ansari & Sheikh Mukhtar
Director: NA Ansari
Producer : Sheikh Mukhtar Prod.
Lyrics: Jan Nisar Akhtar
Music Director: O. P. Nayyar

[1]yaad karun tori batiyaa ro ro bitau

10] Nayi Duniya (1942)starring Suraiya
Lyrics: Tanveer Naqvi
Music Director: Naushad Ali

[1]boot karun mai polish babu boot


11] Pyar Ki Jeet 1948) starring Suraiya & Rehman.
Lyrics composed by Rajinder Krishan.
Music composed by Husnlal Bhagatram.

[1]o duur jaanewaale wada na bhul jana

lyrics for o duur jaane vaale vaadaa na bhuul jaanaa. raate.n huI andherii tum chaa.Nd ban ke aanaa.

lyrics in Hindi for o duur jaane vaale vaadaa na bhuul jaanaa. raate.n huI andherii tum chaa.Nd ban ke aanaa.

[2]tere naino ne chori kiya mera chota

lyrics for tere naino.n ne chorI kiyA, morA chhoTA sA jiyA paradesiyA.

lyrics in Hindi for tere naino.n ne chorI kiyA, morA chhoTA sA jiyA paradesiyA.

[12] Rustom Sohrab (1963) starred Suraiya as the shehzadi. Prithviraj Kapoor portrayed her husband Rustom & Premnath portrayed her son Sohrab. Mumtaz was also in the movie.

This was Suraiya's last film. After this she retired.
Lyrics composed by Qamar Jalalabadi.
Music composed by Sajjad Hussain.

[1]ye kaisi ajab daastaan ho gayi hai

lyrics for ye kaisi ajab daastaan ho gayi hai, chhupaate chhupaate bayaan ho gayi hai.

13] Shaan (1950)starring Suraiya & Rehman
Lyrics: Rajinder Krishan
Music Director: Hansraj Behl

[1]o pardesi balma ab na tadpa o zalim

[2]tadap ai dil tadapne se zara aarsam

[3]kaho ji kis ki sachchi shaan
majboor hoon mai nashaad hoon mai

14] duets Suraiya sang with Mohammad Rafi in the movie Shaan:

[1]dil ke dhoke mei na aanaa

[2]hum bhee akele tum bhee akele

[3]hum tum se wafa karte tum hum se wafa karte

15] Shama (1961) starring Suraiya, Nimmi, Kumud Tripathi, Leela Mishra & Vijay Dutt
Producer : Tasweeristan
Director: Lekhraj Bhakri
Lyrics: Kaifi Azmi
Music Director: Ghulam Mohammed

[1]mast ankhon mei shararat kabhi aisi

16]Shama Parwana (1954)starring Suraiya & Shammi Kapoor.
Lyrics composed by Majrooh Sultanpuri.
Music composed by Husnlal Bhagatram.

[1]meraa dildaar naa milaayaa

[2]o jaan-e-tamannaa alvidaa alvidaa

17] Vidya (1948) starring Suraiya, Dev Anand, Amirbai Karnataki, Cuckoo & Madan Puri.
Director: G. Tridevi
Producer: Jeet Prod.
Music Director: S. D. Burman
Lyrics: Shanti Swaroop and Y. N. Joshi

[1]aaj meraa dil kisi pe aa gayaa

[2]jhoom rahi khushiyon ki naaow aaj

[3]kinare-2 chale jayenge jeewan naiya

[4]kise maalum tha 2 din me sawan beet

[5]o Krishna Kanhaai aashaon ki duniya

[6]laayi khushi ki duniyaa hanste hue

Suraiya was joined by Mukesh in the above song. One of the few duets they sang together.

18]Waris (1954) starring Suraiya, Talat Mahmood and Nadira.
Lyrics: Qamar Jalalabadi
Music Director: Anil Biswas

Suraiya and Talat Mahmood sang the songs both on and off screen. Please note that the duet version of this song is more popular and can be found at the Suraiya and Talat Mahmood duets page by using the following link.

[1]raahi matwaale tuu aa jaa ek baar

19] Dard (1947) starring Suraiya, Shyam, Badri Prasad, Husn Bano, Munawar Sultana & Nusrat.
Lyrics composed by Shakeel Badayuni.
Music composed by Naushad.

[1]beech bhanvar mei aan phasa hai dil

lyrics for beech bhanvar mein aan phansa hai dil ka safeena shaah-e-madeenaa

[2]chale dil ki duniya jo barbad karke

[3]dil dhadke aankh mori phadke

lyrics for dil dhadke aankh mori phadke. chale jaana na dekho ji bichhad ke.

20] Dastan (1950)starring Suraiya, Raj Kapoor, Murad, Pratima Devi & Veena.
Lyrics composed by Shakeel Badayuni.
Music composed by Naushad.

[1]aayaa mere dil mei tu ban ke dil ki

[2]ai shamma tu bata tera parwana kaun

The song 'ai shamma tu bata tera parwana kaun hai' is preceded by some dialogues. Raj Kapoor's voice seems to be heard here.

[3]mohabbat badhaa ke judaa ho gaye

[4]naam tera hai zubaan par yaad teri

[5]naino mei preet hai hothon pe geet

[6]ye mausam aur ye tanhaai

21]Maalik (1958) starring Talat Mehmood & Suraiya.
Lyrics composed by Shakeel Badayuni.
Music composed by Ghulam Mohammad.
Suraiya and Talat Mehmood sang the song and it was also filmed on them.

[1]mann dhire gaye re malum nahin kyon

lyrics for man dheere dheere gaaye re, maaloom nahi kyon. bin gaaye raha na jaaye re, maaloom nahi kyon.

22] Mirza Ghalib (1954) starring Suraiya and Bharat Bhushan.
Lyrics were composed by Mirza Ghalib in late 18th century.
Music composed by Ghulam Mohammad.
Suraiya sang her own songs and Talat Mehmood was playback singer for Bharat Bhushan.

[1]dil-e-nadan tujhe hua kya hai akhir

lyrics for dil-e-naadaa.n tujhe huaa kyaa hai. aakhir is dard kii davaa kyaa hai

lyrics in Hindi for dil-e-naadaa.n tujhe huaa kyaa hai. aakhir is dard kii davaa kyaa hai

23] Waaris (1954) starring Talat Mehmood With Suraiya & Nadira.
Lyrics composed by Qamar Jalalabadi.
Music composed by Anil Biswas.
There was no playback singing since both Talat Mehmood & Suraiya sang for themselves.

[1]duur hote nahi jo dil me raha karte

[2]ghar tera apna ghar lage jaye kahan

[3]raahi matwaale tu ched ek baar mann

lyrics for raahii matavaale, tuu chhe.D ik baar, man kaa sitaar. jaane kab chorii-chorii aaii hai bahaar chhe.D man kaa sitaar.

lyrics in Hindi for raahii matavaale, tuu chhe.D ik baar, man kaa sitaar. jaane kab chorii-chorii aaii hai bahaar chhe.D man kaa sitaar.

[url=http://suraiya-songs.tripod.com/]http://suraiya-songs.tripod.com/

This post has been edited by rashmi mehta: Jun 1 2011, 08:24 AM

[hildebrand]

Rajkumari Dubey

Birth name Rajkumari Dubey
Born 1924
British India
Died 2000
India
Genre(s) playback singing
Occupation(s) Singer
Instrument(s) Vocalist
Years active 1949-1977


Rajkumari Dubey (1924) was an early playback singer in Bollywood.

Rajkumari was born in 1924. She never really had the opportunity to learn to sing, but was always supported by her family. She was just 10 years old when she recorded her first song for HMV in 1934 and she started her career as a stage artiste. Vijay Bhatt and Shankar Bhatt of Prakash Pictures spotted her during one of her shows. They liked her voice and persuaded her to discontinue acting on stage as it would spoil her voice (In those days, there were no mikes and you had to shout to be heard). So she quit theatre, and became an employee of Prakash Pictures as an actress and singer.

Rajkumari's first film with them was a Hindi-Gujarati bilingual called Sansar Leela Nayi Duniya. She got important roles in films like Aankh Ka Tara and Turki Sher (1933). She was the heroine Bhakt Ke Bhagwan and Insaaf Ki Topi (1934). In those days she often acted opposite Zakaria Khan (late actor Amjad Khan's father, whose screen name was Jayant). She also used to sing for popular music director Lallubhai. She began getting fed up with having to watch on her figure and decided to stick to just singing as a career. After she quit Prakash Pictures, she began playback singing for actresses like Ratnamala, Shobhana Samarth, etc. and soon she became the First Female Playback Singer of Indian Cinema.

She sang many Gujarati and Punjabi songs. Even though she was not trained to sing, she was very good at picking up what her composers taught her. They thought she was a trained singer! She was able to also establish herself as a classical singer and excelled in singing and voice production within the framework of classical forms of thumri and dadra. Among her peers were Shamshad Begum, Zohrabai Ambalewali, Juthika Roy, Zeenat Begum, etc. Both Shamshad and Zohrabai had resounding voices with a high range, while Rajkumari had a soft voice with a small range. She sang quite a few songs with Mukesh. She did not get much opportunity to sing with Mohammed Rafi - mainly because Lata Mangeshkar was a fast upcoming singer at the time. She sang with Noor Jehan in Naukar (1943). She never sang with K. C. Dey, but she did sing songs composed by him, as well a his nephew, Manna Dey.

Rajkumari was married very late in life. Her husband was V.K. Dubey who was from Benares (Uttar Pradesh) where he spent a lot of his time (because he owned a shop there), while she settled in Bombay. He later joined her in Bombay.

Later, she would go on to sing songs for Neel Kamal, a Raj Kapoor and Madhubala starrer, and Hulchul (1951); but her two most famous films would be Bawre Nain (1950) and Mahal (1949), where she sang for the Indian actress Madhubala. By this time however Lata Mangeshkar and Asha Bhosle had shot to fame, relegating most other female singers in the industry to the sidelines.

She sang her only song for O P Nayyar in the 1952 movie Aasmaan which was his debut movie, Jab Se Pee Piya Aan Base. The story goes that he was considering Lata Mangeshkar for the song. (Rest of the songs of the movie are sung by Geeta Dutt and C H Atma ). When somebody told this to lata she said something about him which led to a misunderstanding. Angered O P made Rajkumari sing this song and never repeated her. He never used Lata to sing for him as well.

Rajkumari endured a long dry spell until music director Naushad spotted her singing in the chorus for his background score for Pakeezah (1972). Naushad was much taken aback by this, having greatly respected her in her heyday, and heartbroken to hear that she was reduced to singing in the chorus to make ends meet. As a result, he gave her an entire song to herself in Pakeezah, Najariya ki Mari. Her last film song was recorded for R.D. Burman in the film Kitaab, Har Din Jo Beeta. She died in poverty in early 2000.


Sources
en.wikipedia.org/wiki/Rajkumari_Dubey

[rashmi mehta]

Jatin Lalit

Birth name Jatin Pandit and Lalit Pandit
Also known as Jatin-Lalit
Occupation(s) Film composer
Years active 1992 – 2006
(they work independently after 2006)

Jatin Lalit are a Bollywood film composer duo consisting of Jatin Pandit and his younger brother Lalit. Jatin-Lalit is a short version of their full names, which appears on covers of music CDs, DVDs. Jatin Pandit and Lalit Pandit are their actual names. Lalit is nine years younger than Jatin. Born in the traditional Mewati Gharana, sons of the renowned classical singer Pandit Pratap Narayan, and nephews of musical Maestro Pandit Jasraj, Bollywood actresses Sulakshana Pandit and Vijeta Pandit are their sisters actresses and playback singers and music director Aadesh Shrivastava is their brother-in-law, being married to the younger of the two sisters, Vijeta.

They are brothers and come from a lineage of Indian classical musicians.However the duo have developed a unique sense of music different from their classical lineage. They were trained by their own father and Pandit Ramprasadji during their childhood. They also learned to play piano, guitar and various forms of percussion instruments.

Jatin-Lalit are indeed blessed with an envious pedigree. And the film industry is mighty pleased about the fact that the duo chose the field of film music to display their abundant talent besides the aforementioned pedigree. No other music director/duo has been as successful in the recent times, as the youthful brothers, whose niche is melody and harmony packaged in the modern musical arrangement style. This, perhaps, stems from the fact that besides the traditional Hindustani formal music training (from their father and Pandit Ramprasadji),they were also encouraged to learn and play western musical instruments. Singing was also a childhood passion, a talent which they (albeit rarely) have utilised with great aplomb in films like "Jo Jeeta Wohi Sikandar," etc.

These two talented brothers, Jatin and Lalit, have rocked the industry for a considerable span of years.

Jatin-Lalit's most powerful assets remain their originality and fusion of east and west in their music, factors omnipresent in each of their musical scores. As they themselves modestly claim, "We are forever on a learning curve. Hopefully, our best is yet to come." For the sake of the Hindi film music, this should remain the sign of the times to come.

Having successfully done film music, the brothers Jatin-Lalit are now turning their sights towards a private album. Between their film assignments, they are working on a pop album and Lalit will sing for that as well. They have a fine sense of melody and harmony, now if they can get hold of some soul-stirring lyrics, they will have a winner on their hands.

Their compositions are strongly influenced by R. D. Burman's style of music making. Towards the second half of the nineties, they were among the most sought after music directors in the Indian film industry


They started their career with film Yaara Dildara (1992) and the famous soundtrack of the movie was " Bin tere sanam... ".but were much recognized by the hit film Khiladi that was a sound prototype for the brand of music the composers were to create in subsequent years.With Khiladi (1992), came their vibrant soundtrack laced with nuggets like ‘Waada raha sanam’ and ‘Dekha teri mast nigahon mein’, the talented duo announced their arrival in style. From the beginning, there has been a distinct, almost over-whelming influence of the R D Burman school on their work . For instance the song from Jo Jeeta Wohi Sikandar (1992) ‘Shaher ki pariyon ke peechhe’ has shades of R D Burman's music.Also ‘Ruk jaa, o dil deewane’ from Dilwale Dulhaniya Le Jayenge sounds similar to ‘Bachchna aye haseenon from Hum Kisise Kam Nahin (1977).

After two major time succcesses Khiladi and Jo Jeeta Wohi Sikandar happened Raju Ban Gaya Gentleman (1992) and Kabhi Haan Kabhi Naa, which had numbers like ‘Loveria hua’ and ‘Deewana, dil deewana’.

They were steppping up the stairs of success consistently and yet another blockbluster Yash Chopra's love story Dilwale Dulhaniya Le Jayenge gave them immense success.And Jatin -Lalit shot to genuine stardom. From the title song to ‘Mere khwabon mein’ and ‘Naa jaane mere’, everywas a diferent flavour of youth and vibrancy.

Their next venture was Sanjay Leela Bhansali's Khamoshi-The Musical.Its songs were a challenge to each singer like ‘Yeh dil sun raha hai’sung by Kavita Krishnamurthy with its varying pitch, and the Hariharan's ‘Bahon ke darmiyaan’.Followed were films Yes Boss,containing songs, ‘Main koi aisa geet gaaon’ and ‘Chaand taare’.In 1998 came a series of musical hits for the duo like Pyaar Kiya To Darna Kya (‘Deewana Main Chala’), Jab Pyaar Kisi Se Hota Hai (‘O jaana, na jaana’) and Pyaar To Hona Hi Tha (‘Jab kisi ki taraf dil), to Ghulam and it's clarion call, ‘Aati kya Khandala’, and the final explosion, Kuch Kuch Hota Hai.The songs of the later film like ‘Koi mil gaya’, ‘Ladki badi anjaani hai’ and ‘Sajanji ghar aaye’ aren't extraordinary, they haven't exactly faded from public memory.

Dil Kya Kare, Khoobsurat (1999) and Shah Rukh Khan's home production, Phir Bhi Dil Hai Hindustani (2000),Sarfarosh(1999) containing ‘Zindagi Maut Na Ban Jaaye’ are some of the projects they have done in the recent years.Followed by al time hits like Mohabbatein , Kabhi Khushi Kabhi Gham, and Chalte Chalte that had refreshing numbers like ' Tauba Tumhaare Yeh Ishaare', ' Chalte Chalte' .. Definitely they have created their own charm with the kind of music they compose.

The duo has worked with a variety of lyricists and singers including Javed Akhtar, Anand Bakshi, Udit Narayan, and Kumar Sanu. During the last few years of their joint career, their music albums contained several songs composed by other musicians. This practice was not liked by Jatin-Lalit; however, the producer and director insisted on it.[citation needed] In Karan Johar's Kabhi Khushi Kabhie Gham two of the tracks were composed by Sandesh Shandilya. In Chalte Chalte, Aadesh Shrivastava composed several songs. Also in Pyaar Kiya To Darna Kya, one song was composed by Himesh Reshammiya and Sajid-Wajid.

They were also some of the first composers to write songs performed by Bollywood film stars rather than playback singers. They specially composed "Ae kya bolti tu" in the film Ghulam for the lead actor Aamir Khan. They also composed a song for Sanjay Dutt to sing in the movie Khoobsurat.


Jatin and Lalit have borrowed extensively from other musical artists in writing their compositions. In a 2007 interview with the Times of India, Lalit stated that "A producer or a director will hand us a CD and ask us to produce similar music. We as composers don't have a choice but to put in our best creative talent in it. Composing music is very tedious today."

Jatin appeared in the movie Jo Jeeta Wohi Sikandar during the song "Diwane Hum Pyar Ke". He also performed the song, "Ruth Ke Hamse Kabhi" in the film.

Jatin-Lalit are generally reclusive: they rarely attend industry parties or conduct interviews with the media.[citation needed] Jatin-Lalit were appointed as judges in the Zee Television musical show Sa Re Ga Ma Pa. They were also judges on another musical show, Star Voice of IndiaJatin has also appeared as a mentor in a popular TV show Jhoom India. He also was Judge and Mentor in Popular Reality show on Sony Waar Pariwaar. This show was hosted by Urmilla Matondkar. The show has been truly appreciated by the Indian community all over the world especially in the USA.

After working for almost 16 years together, they announced that they would be parting ways due to some personal problems. Reasons for the separation are unknown, but entertainment writers have speculated that the split is because of financial matters.

Lalit and Jatin have both continued to compose separately. Lalit scored the 2007 film, Life Mein Kabhie Kabhiee, Showbiz, and Horn Ok Pleassss.

Jatin composed the score for Saurav Shukla's upcoming film, "I am 24", starring Neha Dhupia and Rajat Kapoor.It is a Planman Motion Films Presentation.

He also composed for filmmaker Raja Sen's film Krishnakanter Will. "I am working on the number. I am trying to make it in such a way that it goes along with the novel written by Bankimchandra Chattopadhyay. The song will be melody based," says Jatin.[citation needed] He also recorded an album for the president of the Indian Business and Professional Council, Abbas Ali Mirza. He is also doing the Music for Kundan Shah's next. Considering the strong track record Jatin Lalit had with Kundan Shah, this film could be the next Kabhi Haa Kabhi Naa for Jatin. Jatin is also working on the maiden venture of Gazebo Entertainment's "Saturday Night".

They have been nominated and have won several prestigious awards each year since they started their career in 1990. Out of the innumerable examples are films like "Jo Jeeta Wohi Sikandar," "Khiladi," "Dilwale Dulhaniya Le Jayenge," "Khamoshi," "Yes Boss" and the recent "Kuch Kuch Hota Hai."


Awards And Honors:

Award Song-Movie

Zee Cine Award Kuch Kuch Hota Hai

Viewers Choice Award Kuch Kuch Hota Hai

Their soundtrack of Dilwale Dulhaniya Le Jayenge was judged the top Hindi soundtrack of all time by on-line voters on the BBC Asian Network. The number two and three positions also went to Jatin-Lalit for their compositions from Kabhi Khushi Kabhie Gham and Kuch Kuch Hota Hai.


Yaara Dildara (1991)

Jo Jeeta Wohi Sikander (1992)

Khiladi (1992)

Raju Ban Gaya Gentleman (1992)

Aadmi (1993)

Ashant (1993)

Bhookamp (1993)

Boy Friend (1993)

Vishnu Vijaya (1993)

Cheetah (1994)

Dusmanon Ka Dushman (1994)

Hanste Khelte (1994)

Kabhi Haan Kabhi Naa (1994)

Lakshya (1994)

Vaade Iraade (1994)

Zaalim (1994)

Dilwale Dulhaniya Le Jayenge (1995)

Gangster (1995)

Nishana (1995)

Pandav (1995)

Biyer Phul (1996)

Fareb (1996)

Khamoshi (1996)

Return Of Jewel Thief (1996)

Agni (1997)

Daava (1997)

Ek Phool Teen Kante (1997)

***** Gardi (1997)

Tum Jiyo Hazaro Saal (1997)

Yes Boss (1997)

Badadin (1998)

Billa No. 302 (1998)

Dhoondte Reh Jaaoge (1998)

Ghulam (1998)

Jab Pyar Kisise Hota Hai (1998)

Khoobsurat (1998)


Kuch Kuch Hota Hai (1998)

Pyar To Hona Hi Tha (1998)

Saazish (1998)

Dil Kya Kare (1999)

Dillagi (1999)

Pyaar Kiya To Darna Kya (1999)

Pyar Koi Khel Nahin (1999)

Sar Aankhon Par (1999)

Sangharsh (1999

Sarfarosh (1999)

Silsila Hai Pyar Ka (1999)

Vaastav (1999)

Dhai Akshar Prem Ke (2000)

Mohabbatein (2000)

Phir Bhi Dil Hai Hindustani (2000)

Raja Ko Rani Se Pyar Ho Gaya (2000)

Raju Chacha (2000)

Yeh Hai Mumbai Meri Jaan (2000)

Albela (2001)

Censor (2001)

Kabhi Khushi Kabhie Gham (2001)

Aankhen (2002)

Kehtaa Hai Dil Baar Baar (2002)

Kranti (2002)

Soch (2002)

Waah! Tera Kya Kehna (2002)

Chalte Chalte (2003)

Haasil (2003)

Zameer (2003) Mar 26 (4 days ago) delete haal kaisa hai

Aur Phir Ek Din (2004)

Hum Tum (2004)

Main Hogaya Tumhara (2004)

Mulaqwaat (2004)

Rok Sako To Rok Lo (2004)

Sab Kuch Hai Par Kuch Bhi Kahin (2004)

Aap Jaisa Koi Nahin (2005)

Khamosshh -Ek Raat (2005)

Chand Sa Roshan Chehra (2005)

Filmstar (2005)

Pyaar Mein Twist (2005)

Revathi (2005)

Fanaa (2006)

Mera Dil Leke Dekho (2006)

Faisla

Loveria

Sab Kuch Hai Par Kuch Bhi Nahi

Mr. White Mr. Black (2008)

http://www.hindilyrix.com/musicians/musici...atin-lalit.html

http://www.hindilyrics.net/profiles/jatin-lalit.html

http://en.wikipedia.org/wiki/Jatin_Lalit

http://in.movies.yahoo.com/artists/Jatin-L...raphy-5818.html

This post has been edited by rashmi mehta: Mar 30 2009, 02:42 PM